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Wall Street Journal Interviews Olympia Scarry and Neville Wakefield on “Their Favorite Things”

Saturday, January 25th, 2014

Don’t Miss – New York: Jack Smith, “Thanks for Explaining Me” curated by Neville Wakefield at Gladstone Gallery, through June 16th, 2011

Wednesday, June 15th, 2011

AO On Site at the 54th Venice Biennale 2011: Dasha Zukhova and The Garage Center for Contemporary Culture presents “Commercial Break” curated by Neville Wakefield

Monday, June 6th, 2011

AO On Site – New York: Opening Reception, ‘Normal Dimensions’ at Half Gallery, curated by Neville Wakefield, through August 13th, 2010

Thursday, July 15th, 2010

Desert X Announces Next Iteration for 2019

Friday, October 13th, 2017

Palm Springs Art Fair Planned to Coincide with Coachella

Monday, January 4th, 2016

Jeff Koons, Catherine Opie Included in Water Tank Art Project

Tuesday, June 10th, 2014

Playboy Ordered to Remove Installation in Marfa, TX

Monday, July 8th, 2013

Playboy Bunny Neon Sculpture Erected in Marfa, TX

Monday, June 17th, 2013

AO Newslink

Sunday, September 2nd, 2012

New York: Helmut Lang ‘Sculptures’ at 24 Washington Square North through June 15

Sunday, May 27th, 2012

AO On Site Photoset – New York: Frieze Art Fair Summary at Randall’s Island Park, May 4-7, 2012

Thursday, May 10th, 2012

AO On Site at the 54th Venice Biennale 2011: Final Overview and News Summary

Monday, June 6th, 2011

AO On Site Preview and Summary: 54th Venice Biennale 2011 Begins This Week

Monday, May 30th, 2011

Don’t Miss – Queens, New York: Greater New York at MoMA PS1 Through October 18, 2010

Wednesday, August 18th, 2010

Go See – Basel: Matthew Barney's 'Prayer Sheet with the Wound and the Nail' at the Schaulager through October 3rd 2010

Friday, June 25th, 2010

AO On Site – Long Island City: ‘Greater New York’ Opens at PS1 MoMA through October 20, 2010

Monday, May 24th, 2010

AO On Site: Banks Violette’s “Not Yet Titled” at Team Gallery New York, through June 20th, 2009

Friday, May 8th, 2009

Go See (with Video): Nate Lowman “A Dog From Every County” exhibition at Maccarone, through March 28, 2009

Thursday, March 5th, 2009

AO OnSite: Making Intellectual Conversation Possible at ‘The Impossible Collection’ Dinner Hosted By Assouline, Accompanied Literary Society at The Mondrian Hotel

Wednesday, December 10th, 2008

Go See: John McCracken at David Zwirner NYC, through October 18

Thursday, September 25th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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