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Damien Hirst to Reopen “Pharmacy” Restaurant at Newport Street Gallery

Sunday, October 11th, 2015

Damien Hirst Opens Newport Street Gallery

Thursday, October 8th, 2015

Dan Colen to Open Major Exhibition at Damien Hirst’s Gallery this Fall

Tuesday, June 6th, 2017

Damien Hirst Staging Jeff Koons Exhibition at his Gallery

Thursday, March 24th, 2016

AO Guest Editorial/Review by Patrick Meagher of The Silvershed – New York: Dan Colen ‘Poetry’ at Gagosian Gallery, September 10 through October 16, 2010

Monday, September 27th, 2010

Go See: KAWS at Gering Lopez Gallery, New York, through December 23rd

Thursday, November 13th, 2008

New York — Ashley Bickerton at The FLAG Art Foundation Through December 16th, 2017

Wednesday, December 13th, 2017

AO On-Site – London: Frieze Art Fair in Regent’s Park, October 14th – 17th, 2015

Sunday, October 18th, 2015

AO Preview – London: Frieze Art Fair at Regent’s Park, October 14th – 17th, 2015

Monday, October 12th, 2015

Gavin Turk Psychoanalyzed for Guardian Profile

Wednesday, November 16th, 2016

Tuesday, March 13th, 2012

Newslinks for Tuesday August 11, 2009

Tuesday, August 11th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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New York — “Words Without Thoughts Never to Heaven Go” at Almine Rech Gallery Through December 16th, 2017

December 14th, 2017

Words Without Thoughts Never to Heaven Go (Installation View)
Words Without Thoughts Never to Heaven Go (Installation View)

Almine Rech Gallery, one of Paris’s foremost galleries, opened its first New York location more than a year ago on the Upper East Side, bringing with it a unique program that mixes a strong artist roster with a consistently adventurous curatorial project.  For its most recent venture, the gallery has brought together key figures from the canon of 20th century Western art for Words Without Thoughts Never to Heaven Go. Adapting its title from a line in Shakespeare’s Hamlet, the exhibition investigates ways artists use text as an allegorical element. Serving as a chronological and thematic starting point to the exhibition is Être ou ne pas être, Picasso’s 1912 painting considered as one of the foremost examples of appropriation of text in modern painting. Declaring “to be or not be” in French with gouache on paper, Picasso not only pays homage to one of the most emblematic texts ever written, but he also questions the mimetic essence of a painting. Can a painting of words serve to depict an image?
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Clearing Gallery Opens Shop Uptown

December 14th, 2017

Clearing Gallery's uptown space, via Art NewsClearing Gallery has opened a new space in New York City, setting up a second location at 43 East 78th Street. “We have private dealers, galleries, and museums around, so it’s a super location,” says gallery owner Olivier Babin. “As much as Bushwick is off the beaten path, this is in the center of everything. I mean, we’re across the street from the Carlyle!”
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American Collectors Rarely Sell Prized Works Once Purchased

December 13th, 2017

Christie's, via NY postA new study finds that few American art collectors sell their works once they have purchased them, the New York Post reports. “Collectors don’t apply the same principles to buying art that they would to a typical investment portfolio of stocks and bonds,” says John Mathews, head of private wealth management and ultra-high net worth at UBS Americas. “It is important, however, to institute management structures to ensure their legacy remains protected, correctly valued and insured.”
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