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Münster Raising Money to Purchase Beloved Nicole Eisenman Sculpture

Thursday, March 15th, 2018

Nicole Eisenman’s Skulptur Projekte Work May Remain in Münster

Friday, October 13th, 2017

Nicole Eisenman Sculpture Defaced in Münster

Friday, July 21st, 2017

New York – Nicole Eisenmann: “AL-UGH-ORIES” at the New Museum Through June 26th, 2016

Monday, June 27th, 2016

New York – Nicole Eisenman at Anton Kern Through June 25th, 2016

Sunday, June 19th, 2016

Münster – Skulptur Project Münster, Through October 1st, 2017

Thursday, September 28th, 2017

AO Auction Recap – New York: Phillips 20th Century and Contemporary Sale at Sotheby’s Contemporary Evening Sale, May 18th, 2017

Friday, May 19th, 2017

Manifesta 10 Offers Artists Ground to Protest Russia’s Stringent Anti-LGBT Laws

Tuesday, July 1st, 2014
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Sotheby’s to Reset Modigliani Auction Record with Massive $150 Million Estimate this May

April 24th, 2018

Modigliani, via Art NewsSotheby’s will set a new world auction record with Amedeo Modigliani’s Nu couché (sur le côté gauche) at this month’s Impressionist and Modern Sale in New York, with an estimate of more than $150 million. The figure is the highest estimate ever placed on a work of art, and has already been confirmed as a record breaker. “This painting reimagines the nude for the modern era,” says Simon Shaw, the co-head worldwide of Sotheby’s Impressionist and modern art department.
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NYT Spotlights Museums’ Efforts to Highlight Latinx Artists

April 24th, 2018

Clarissa Tossin, via NYTA piece in the New York Times this week notes the increased focus by museums towards Latinx artists.  “We’re at a really important point in history where plural curatorial voices can show not just a survey,” says Marcela Guerrero, who was recently hired as the Whitney’s first curator specializing in Latinx artists. “We can now go deeper and start unpacking what Latino art really is.”
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Anicka Yi Interviewed in Frieze

April 24th, 2018

Anicka Yi, via FriezeAnicka Yi is interviewed in Frieze this week, discussing her practice and what she sees as the next steps for women in the arts. “In general, I learned fairly early on that cisgender, straight-identifying females tend to not help other women,” she says of her early experience in the arts. “It’s not even a conscious malicious act, in most instances. It’s a deep conditioning that somehow distancing yourself from the perceived ‘weaker pack’, with all its attendant baggage, might advance your uniqueness as an individual, making you less prone to be judged as a ‘vulnerable woman’.”
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