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Nicole Eisenman’s Skulptur Projekte Work May Remain in Münster

Friday, October 13th, 2017

Nicole Eisenman Sculpture Defaced in Münster

Friday, July 21st, 2017

New York – Nicole Eisenmann: “AL-UGH-ORIES” at the New Museum Through June 26th, 2016

Monday, June 27th, 2016

New York – Nicole Eisenman at Anton Kern Through June 25th, 2016

Sunday, June 19th, 2016

Münster – Skulptur Project Münster, Through October 1st, 2017

Thursday, September 28th, 2017

AO Auction Recap – New York: Phillips 20th Century and Contemporary Sale at Sotheby’s Contemporary Evening Sale, May 18th, 2017

Friday, May 19th, 2017

Manifesta 10 Offers Artists Ground to Protest Russia’s Stringent Anti-LGBT Laws

Tuesday, July 1st, 2014
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Bartolomé Esteban Murillo Work Discovered in North Wales

November 22nd, 2017

Lost Murillo, via The GuardianA lost 17th Century masterpiece by Bartolomé Esteban Murillo has been rediscovered in North Wales. “It is an absolute masterpiece,” art scholar Benito Navarrete Prieto says. “Magnetic.”
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Telegraph Notes Focus on Liquidity Energizing Recent Auctions

November 22nd, 2017

Cy Twombly, Untitled (2005), final price $46,437,500, via Christie'sThe Telegraph has an interesting article on the wildly successful recent cycle of art sales, noting collectors’ increasing draw towards liquid assets like art.  The piece draws connections to other assets currently burgeoning on the market, including Bitcoin, and notes the appeal of these goods as collectors seek stable investments outside national currencies and stock.
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Met Museum Receives $80 Million Gift

November 19th, 2017

Irvings, via Art NewsThe Metropolitan Museum of Art in New York has received $80 million from trustee Florence Irving, the Art News reports.  “The Irvings have been inspirational donors in building the museum’s collections and galleries of Asian Art since 1987,” says Daniel H. Weiss, the museum’s president and CEO. “This additional gift is truly transformative for the Met, and will ensure that the legacy of scholarship, programming, and collection-building they have been so instrumental in building will continue to thrive.”
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