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Wall Street Journal Interviews Olympia Scarry and Neville Wakefield on “Their Favorite Things”

Saturday, January 25th, 2014

Art Production Fund Launches Pop-Up Gallery in Montauk

Monday, July 29th, 2013

New York – AO On Site: Dia Art Foundation’s Fall Night, Monday, November 12th, 2012

Wednesday, November 14th, 2012

AO On Site at the 54th Venice Biennale 2011: Dasha Zukhova and The Garage Center for Contemporary Culture presents “Commercial Break” curated by Neville Wakefield

Monday, June 6th, 2011

AO On Site – Exhibition A opening of ‘Monochrome Set’ at the ACE Hotel Tuesday, March 15th, show runs through APRIL 7th

Friday, March 18th, 2011

AO On Site – New York: Opening Reception, ‘Normal Dimensions’ at Half Gallery, curated by Neville Wakefield, through August 13th, 2010

Thursday, July 15th, 2010

AO Onsite Monday November 9th – New York: Nicolas Pol’s “The Martus Maw,” curated by Vladimir Restoin-Roitfeld, at 80 Essex Street through December 10, 2009

Tuesday, November 10th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Jail for Spanish Forger Who Attempted Sale of 15 Fake Works

February 21st, 2023

A Spanish court has sentenced an art collector to prison for selling a set of fake works, including a series of forged works attributed to Edvard Munch and Roy Lichtenstein.
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The Guardian Interviews Former Subjects of Painter Alice Neel

February 21st, 2023

The Guardian has a piece this week on what it was like to be painted by Alice Neel. “One day Alice said she wanted to paint me and to bring some things I could wear, so I packed a little suitcase and had various costumes,” says artist and sex activist Annie Sprinkle. “I’d just had my labia pierced and I was showing it off, and she really wanted to see that. She picked a leather outfit and I put a feather in my hair.”
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Alice Walton’s Art Bridges Foundation Behind $4.5 Million Robert Colescott Buy

February 21st, 2023

Alice Walton’s Art Bridges Foundation is apparently behind the $4.5 million purchase of a Robert Colescott at Bonhams this month. “This work in particular presents a hopeful and powerful message, and we are pleased that it resonated so strongly with individuals and institutions alike,” says Ralph Taylor, Bonhams’s global head for postwar and contemporary art.
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