Search Results

Go See – New York: ‘Focus: Oskar Kokoschka’ at Neue Galerie through October 5, 2009

Thursday, September 3rd, 2009

WSJ Profiles Alma Mahler, Lover and Wife to Many of Central Early 20th Century European Artists

Tuesday, June 30th, 2015

New York – Ahmed Alsoudani at Gladstone Gallery Through December 20th, 2014

Thursday, December 18th, 2014

How Biological Studies Can Help Understand Reactions to Art

Sunday, April 14th, 2013

AO On Site Miami Beach – The Wolfsonian: FIU ‘Postcards of the Wiener Werkstätte: Selections from the Leonard A. Lauder Collection’, ‘Esther Shalev-Gerz: Describing Labor’ and ‘Art and Design in the Modern Age’ Friday, Dec 7th, 2012

Monday, December 10th, 2012

AO Onsite Auction Results: Sotheby’s Impressionist & Modern Evening Sale Realizes $227.5M; Sets Auction Record with $68.9M Modigliani Sale (UPDATED with VIDEO)

Wednesday, November 3rd, 2010

Go See – Brussels: Raymond Pettibon at Gladstone Gallery through July 10, 2010

Sunday, June 13th, 2010

Go See – Duisburg, Germany: Gerhard Richter ‘Paintings from Private Collections’ at Museum Küppersmühle through August 23, 2009

Monday, June 29th, 2009

Cecily Brown

Saturday, March 29th, 2008

Gerhard Richter

Thursday, January 3rd, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
Read More »

Andreas Gursky Speaks on His Early Work for The Guardian

January 19th, 2018

Andreas Gursky, via GuardianThe Guardian has an interview with Andreas Gursky this week, detailing the artist’s early experimentations in a photo of Salermo harbor that brought him to realize his most iconic works. “My teachers, the conceptual artists Bernd and Hilla Becher, had told me to avoid photographing with sunlight, blue sky or strong shadows, he says. “But I thought the warm sunlight here made for something quite kitsch. Also, up until this point, human beings had been the focus of my work – but here there were none in sight. Yet I was overwhelmed by what I saw: the complexity of the image, the accumulation of goods, the cars, the containers. I hadn’t been sure the photograph would work. I just felt compelled. It was pure intuition.”
Read More »

Tate Britain Director Alex Farquharson Interviewed in Art Newspaper

January 19th, 2018

Tate Britain, via ArtforumTate Britain director Alex Farquharson is interviewed in the Art Newspaper this week, detailing his vision for a major rehang at the museum. “Tate Britain has an exciting role in presenting art in a societal context, both past and present, so it is a question of the stories that we tell,” he says. “I have set out three pillars that inform our curatorial choices and how we communicate them. These are a trio of relationships: art and society, history and the present, and Britain and the world.”
Read More »

REFERENCE LIBRARY