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Otto Dix Children’s Book on View for First Time

Thursday, October 6th, 2016

Six Otto Dix Murals Discovered In Artist’s Former Home in Germany

Monday, December 24th, 2012

GO SEE – NEW YORK: OTTO DIX AT NEUE GALERIE THROUGH AUGUST 30, 2010

Wednesday, August 11th, 2010

Otto Dix

Monday, June 23rd, 2008

New York – Christopher Williams: “For Example: Dix-Huit Leçons Sur La Société Industrielle (Revision 19)” at David Zwirner Through December 20th, 2014

Wednesday, November 26th, 2014

AO Preview – Basel, Switzerland: The Art Basel Art Fair, June 14th – 17th, 2018

Saturday, June 9th, 2018

Paris – Georg Baselitz: “Descente” at Galerie Thaddeus Ropac Through July 1st, 2017

Wednesday, June 21st, 2017

Hauser & Wirth Representing Estate of August Sander

Friday, February 10th, 2017

AO Auction Recap – London: Christie’s Impressionist, Modern and Art of the Surreal Evening Sales, February 2nd 2016

Tuesday, February 2nd, 2016

New York – Georg Baselitz: “Drinkers and Orange Eaters” at Skarstedt Through June 27th, 2015

Thursday, June 25th, 2015

MoMA Lands Major Collection of August Sander Photographs

Friday, June 5th, 2015

Vienna – Georg Baselitz: “Remix” at The Albertina Through February 12th, 2014

Monday, January 20th, 2014

New York Times Reports on Munich Art Hoarder Cornelius Gurlitt

Monday, November 18th, 2013

New York – “German Expressionism 1900-1930: Masterpieces from the Neue Galerie Collection” at The Neue Galerie, Through April 22nd, 2013

Sunday, April 21st, 2013

Salzburg: Georg Baselitz at Thaddaeus Ropac through August 30, 2012

Wednesday, August 22nd, 2012

AO Auction Preview – London: Impressionist and Modern Art Evening Sales, June 19 – 20, 2012 set to begin

Tuesday, June 19th, 2012

Saturday, September 3rd, 2011

Deceased Artists

Thursday, July 7th, 2011

Go See – Salzburg: Georg Baselitz at Thaddaeus Ropac, through September 19, 2009

Tuesday, September 1st, 2009

Go See: Max Beckmann exhibit ‘Self Portrait With Horn’ at Neue Galerie in NYC, through September 1

Tuesday, August 12th, 2008

AO On Site: “Pretty Ugly” at Gavin Brown’s Enterprise and Maccarone in New York, through August 29

Friday, July 11th, 2008

Go See: Gustav Klimt at the Tate Liverpool until August 31st

Thursday, June 5th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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