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AO On-Site – Venice – Adrian Ghenie: “The Battle Between Carnival and Feast” at the Palazzo Cini Through November 18th, 2019

Sunday, May 12th, 2019

AO Preview – Venice: “May You Live in Interesting Times,” The 58th Venice Biennale, May 11th – November 24th, 2019

Monday, May 6th, 2019

AO Preview – Venice Biennale Vernissage, May 10th – 13th, 2017

Monday, May 8th, 2017

Venice: “Slip of the Tongue” Curated by Danh Vo at the Punta Della Dogana Through December 31st, 2015

Monday, June 1st, 2015

Venice – Jenny Holzer: “War Paintings” at the Museo Correr Through November 22nd, 2015

Friday, May 8th, 2015

AO Preview – Venice, Italy – “All the World’s Futures,” the 56th Venice Biennale, May

Sunday, May 3rd, 2015

AO On Site – Venice: “Fragile?” at Le Stanze del Vetro Through July 28th, 2013

Tuesday, June 4th, 2013

AO On Site at the 54th Venice Biennale 2011: Preview (with photoset) of Glasstress 2011 and Mike and Doug Starn’s Big Bambú, through June 15, 2011

Sunday, June 5th, 2011

AO On Site Preview and Summary: 54th Venice Biennale 2011 Begins This Week

Monday, May 30th, 2011

Newlinks for Wednesday October 7th, 2009

Wednesday, October 7th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Artist Group Postcommodity Opens Installation Commission in Chicago

August 16th, 2019

Artist group Postcommodity have unveiled a commission in Chicago reflecting on the history of migrant cultures in the United States, and calling on the U.S. government to create space for those deprived of basic human rights. “We need to acknowledge this migration in real time and start preparing for that transformation. Rather than fight it, embrace it,” member Kade L. Twist said. “There’s a lot to learn from how Black people were treated and disregarded through most of [the Great] Migration. There’s a desperate need to humanize.”
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The Guardian Interviews Life Models on Their Work Posing for Artists

August 16th, 2019

The Guardian speaks with a group of life models on their practice sitting in a studio, and their perspectives on their job posing for learning artists. “I’d been waiting for someone to tell me it’s fine to pose for students if you’re different,” says Suzon Lagarde, a painter. “You might feel vulnerable posing, but as a painter I also know how vulnerable people can feel behind the easel – you are always questioning and judging yourself. I soon realized we are a team, all trying to be brave.”
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NYT Profiles Recent Private Collection Database Startup

August 16th, 2019

The NYT profiles a recent digital venture, Collecteurs, which serves as a database for private collections. “If I don’t put them in some kind of public database, these works essentially disappear from the planet,” says collector Roberto Toscano.
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