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Parmigianino’s “Virgin and Child” Goes to Los Angeles After UK Export Bar Lifted

Wednesday, June 14th, 2017

Getty Museum Acquires Major Collection of Drawings

Friday, July 21st, 2017

UK Bars Parmigiano Painting from Export

Friday, February 10th, 2017

Sotheby’s Sues Collector Over Allegedly Forged Painting

Wednesday, January 18th, 2017

New York – Lisa Yuskavage at David Zwirner Through June 13th, 2015

Wednesday, June 10th, 2015

Go See – London: Joseph Cornell and Karen Kilimnik at Sprueth Magers through August 27, 2010

Friday, August 6th, 2010

AO Summary: What’s the significance of that one painting at the Frick?

Wednesday, February 6th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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