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Museum of Modern Art Examines Gaugin’s Polynesian Odyssies

Friday, March 14th, 2014

Go See – Tokyo: Paul Gauguin at MOMAT, The Japan National Museum of Modern Art, through September 23, 2009

Wednesday, August 26th, 2009

Paul Gauguin

Tuesday, June 17th, 2008

New York – Chris Ofili: “Night and Day” at The New Museum Through January 25th, 2015

Wednesday, January 7th, 2015

French Masterworks Recovered After Sitting in Italian Kitchen for 40 Years

Thursday, April 3rd, 2014

6 Years in Prison for Romanian Art Thieves in Rotterdam Heist

Wednesday, November 27th, 2013

Writer Uncovers Article Reporting on Van Gogh’s Severed Ear

Saturday, September 7th, 2013

New York – “The Impressionist Line from Degas to Toulouse-Lautrec: Drawings and Prints from the Clark” at The Frick Collection, Through June 16th 2013

Tuesday, June 11th, 2013

Netherlands Art Heist Suspects Arrested

Wednesday, January 23rd, 2013

London – “Luc Tuymans: Allo!” at David Zwirner’s new space at 24 Grafton Street, Mayfair, London, Through November 17th, 2012

Sunday, October 28th, 2012

AO Auction Preview – London: Sotheby’s & Christie’s to Hold Impressionist & Modern Art Sales June 21-22, 2011

Monday, June 20th, 2011

AO Onsite Auction Results – New York: Sotheby’s Impressionist & Modern Evening Sale Realizes $170.5M for 44 Lots Sold on May 3, 2011

Tuesday, May 3rd, 2011

AO Auction Preview: Sotheby's and Christie's to Hold Impressionist & Modern Sales in New York, May 3 & 4, 2011

Monday, May 2nd, 2011

AO Onsite Auction Results – London: Impressionist & Modern Evening Sale and Art of the Surreal Sale at Christie’s London on Wednesday February 9, 2011 Bring in £84.9 million ($136.3 million); Record-Breaking Bonnard is Top Lot

Wednesday, February 9th, 2011

AO Auction Recap – London: Sotheby’s Impressionist and Modern Evening Sale, June 21st, 2016

Wednesday, June 22nd, 2016

AO Interview – Los Angeles: Nick van Woert “No Man’s Land” at OHWOW

Tuesday, March 26th, 2013

AO Auction Preview: Picasso and Gauguin Lead Impressionist & Modern Art Sales at Sotheby's & Christie's in London February 7-8th, 2011

Sunday, February 6th, 2011
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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