Search Results

New York – Frank Stella: “Recent Work” at Peter Freeman Inc. Through February 22nd, 2014

Sunday, February 2nd, 2014

New York: ‘Ten Ten’ Group Show Pop-up by Jason Alexander through March 30, 2012

Wednesday, March 28th, 2012

AO On-Site – Miami Beach: Art Basel Miami Beach 2018 at Miami Beach Convention Center, December 5th – 9th, 2018

Sunday, December 9th, 2018

AO On Site – Los Angeles: Pacific Standard Time Crosscurrents in L.A. Painting and Sculpture, 1950-1970 at the J. Paul Getty Museum through February 5, 2012

Thursday, January 12th, 2012

AO On Site at the 54th Venice Biennale 2011: Preview (with Photoset) of “Venice in Venice”

Friday, June 3rd, 2011

AO On Site Preview and Summary: 54th Venice Biennale 2011 Begins This Week

Monday, May 30th, 2011

Obituary: John McCracken (1934-2011)

Monday, April 11th, 2011

AO Digital Round-Up – Frieze Art Fair’s Online Viewing Rooms, May 8th – 15th, 2020

Monday, May 11th, 2020

AO Preview – Mexico City Art Week, February 6th – 10th, 2019

Monday, February 4th, 2019

AO Auction Results – London: Christie’s Post-War and Contemporary Evening Sale, March 7th, 2017

Tuesday, March 7th, 2017

AO Auction Recap – London: Sotheby’s Post-War and Contemporary Evening Sale, October 7th, 2016

Saturday, October 8th, 2016

AO Auction Recap – New York: Sotheby’s Post-War and Contemporary Evening Sale, May 11th, 2016

Wednesday, May 11th, 2016

AO On-Site – New York: The ADAA Art Show at Park Avenue Armory, March 1st – 6th, 2016

Monday, March 7th, 2016

AO Auction Recap – London: Christie’s Post-War and Contemporary Evening Sale, February 11th, 2016

Thursday, February 11th, 2016

AO On-Site: Mexico City Art Week, February 3rd – 7th, 2016

Monday, February 8th, 2016

AO Auction Recap – London: Christie’s Contemporary Evening Sale, October 16th, 2015

Friday, October 16th, 2015

AO Preview – New York: Frieze Week, May 13th-17th, 2015

Tuesday, May 12th, 2015

AO Auction Recap – Christie’s ‘Looking Forward to the Past’ Sale, Setting a New World Auction Record of $179 Million for Pablo Picasso’s ‘Les Femmes D’Alger,’ May 11th, 2015

Tuesday, May 12th, 2015

AO On-Site – New York: The 2015 Armory Show at Piers 92 & 94, March 4th – 8th, 2015

Friday, March 6th, 2015

AO on site Photoset – Paris: FIAC Press Preview, October 23rd, 2013

Thursday, October 24th, 2013

Paris – Anselm Kiefer: “Die Ungeborenen” at Galerie Thaddaeus Ropac Through February 23, 2013

Wednesday, February 13th, 2013

AO On Site – London: Frieze London and Frieze Masters Summary and photoset, October 14th, 2012

Sunday, October 14th, 2012

AO Auction Results – London: Christie’s Contemporary Evening and Italian Sales, October 11th, 2012

Thursday, October 11th, 2012

AO Onsite Auction Preview – New York: Sotheby’s, Christie’s, and Phillips de Pury to Hold Contemporary Art Auctions November 7-9, 2011

Monday, November 7th, 2011
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Stuart E. Eizenstat Profiled in NYT

January 24th, 2022

A piece in the New York Times profiles Stuart E. Eizenstat, the diplomat and lawyer who has long advised on the process of restituting Nazi-looted art, and who will now take on his first court case seeking the return of an allegedly looted Camille Pissarro. “No self-respecting government, art dealer, private collector, museum or auction house should trade in or possess art stolen by the Nazis,” he says.

Read more at NYT

Yves Tanguy Work Thought Destroyed Rediscovered

January 24th, 2022

A Yves Tanguy work long thought destroyed during a raid by a fascist mob has been rediscovered and restored. She said: “We were able to do different types of imaging and analysis and demonstrate that it was the original work that had been put back together again,” says Professor Jennifer Mass, an American conservation scientist.

Read more at The Guardian

Samara Golden Interviewed in NYT

January 24th, 2022

Artist Samara Golden gets the profile treatment in the New York Times this week as she opens a show of new work at Night Gallery in LA. “The piece speaks to the art history of Southern California because of its viscerality,” says Night Gallery founder Davida Nemeroff.

Read more at NYT

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