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Peter Doig Takes Stand in Attribution Case

Thursday, August 11th, 2016

Peter Doig at Center of Bizarre Lawsuit Over Work He Claims He Didn’t Paint

Thursday, July 7th, 2016

New York – Peter Doig at Michael Werner Through January 16th, 2016

Tuesday, December 29th, 2015

Venice – Peter Doig at Fondazione Bevilacqua La Masa Through October 4th, 2015

Saturday, May 9th, 2015

Peter Doig to Open Show in Venice During Biennale

Saturday, February 7th, 2015

Basel – Peter Doig at Fondation Beyeler Through March 22nd, 2015

Tuesday, January 20th, 2015

Peter Doig Interviewed in Wall Street Journal

Sunday, December 28th, 2014

Peter Doig Interviewed in “Lunch with the FT”

Saturday, March 8th, 2014

Peter Doig Interviewed in the Telegraph

Monday, August 5th, 2013

Peter Doig Interviewed by New York Times

Friday, July 26th, 2013

Peter Doig Speaks to Demand for his Work and How He Attempts to Ignore It

Sunday, December 16th, 2012

Go See – Berlin: ‘Self-Consciousness’ Curated by Hilton Als and Peter Doig at Veneklasen Werner through June 26th, 2010

Saturday, June 12th, 2010

Go See: Peter Doig Retrospective at the Schirn Kunsthalle, Frankfurt, through January 4, 2009

Friday, October 24th, 2008

GO SEE: PETER DOIG AT TATE BRITAIN, February 25 – April 27

Monday, February 25th, 2008

Peter Doig’s “Country-Rock” Painting Could Reach $15 Million in London Next Week

Thursday, June 26th, 2014

London – Peter Doig: “Early Works” at Michael Werner Gallery Through May 31st, 2014

Friday, May 23rd, 2014

New York – Peter Doig: “Early Works” at Michael Werner, through January 4th 2014

Friday, January 3rd, 2014

London – “Peter Doig: New Paintings” at Michael Werner Gallery, through Dec. 22, 2012

Thursday, October 11th, 2012

AO On Site: Peter Doig, New Paintings, Saturday, January 17th, 2009, on until March 14th, 2009 at Gavin Brown’s Enterprise and Michael Werner Gallery, New York

Monday, January 19th, 2009

Peter Doig

Tuesday, February 26th, 2008

AO Auction Recap – London: Christie’s and Phillips Contemporary and Post-War Evening Sales, October 6th, 2017

Sunday, October 8th, 2017

AO Auction Preview – London: Post-War and Contemporary Evening Sales, October 5-6th, 2017

Wednesday, October 4th, 2017

Hilton Als to Curate Series of Shows at Yale Center for British Art

Saturday, August 5th, 2017

AO Auction Recap – New York: Phillips 20th Century and Contemporary Sale at Sotheby’s Contemporary Evening Sale, May 18th, 2017

Friday, May 19th, 2017
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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