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New York – AO Auction Results: Sotheby’s Contemporary Evening Sale, Tuesday May 14th, 2013.

Wednesday, May 15th, 2013

AO Auction Results – London: Post War & Contemporary Art Auction at Christie’s Brings in $60M; Record Set for Gerhard Richter

Sunday, October 16th, 2011

AO On Site – Auction Results – “Artists for Haiti” Benefit Auction at Christie’s New York Organized by Ben Stiller and David Zwirner Raises $13.7M For Charity

Friday, September 23rd, 2011

AO Onsite Auction Results – New York: Christie’s Post-War & Contemporary Art Evening Sale Totals $301.7M; Warhol & Rothko Are Top Lots

Thursday, May 12th, 2011

AO Auction Results – London: Christie’s Post-War and Contemporary Sale Thursday February 11, 2009 – Another highly successful sale confirms Art Market Recovery

Friday, February 12th, 2010

AO November Auction Roundup 3 of 5: Christie’s Post-War and Contemporary Art, New York, Wednesday, November 12th: Basquiat’s “Boxer” sells while the Bacon does not, “The market is adjusting down”

Sunday, November 16th, 2008

Sonnabend private estate sale largest on record

Monday, April 7th, 2008

London Auction Activity Round Up

Monday, March 3rd, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Jean-Michel Basquiat Work at TEFAF 2017 Revealed as Fake by André Heller

November 3rd, 2022

Musician and artist André Heller fabricated a falsely attributed Jean-Michel Basquiat for sale at TEFAF in 2017, Art News reports. “In retrospect, the whole thing is, firstly, a childish prank. Secondly, it is naturally showing off. And thirdly, it is a stupid mixture of fiction and truth,” he says. “Just a private fairy tale.”
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Monica Bonvicini “Pauses” Representation with König Galerie After Allegations Against Founder

November 3rd, 2022

Monica Bonvicini has “paused” her relationship with König Galerie after sexual harassment allegations broke against its founder, Johann König.
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Oscar yi Hou Profiled in NYT

October 25th, 2022

Artist Oscar yi Hou gets the profile treatment in the New York Times this week, as he opens a show at the Brooklyn Museum. “I think by creating symbolic densities, you’re able to invite the viewer to pay more attention to the works,” he says. “I try to honor the opacity of the subject.”
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