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Phyllida Barlow Profiled in The Guardian

Thursday, May 11th, 2017

Phyllida Barlow Interviewed in The Guardian

Tuesday, May 9th, 2017

Phyllida Barlow Shortlisted for Hepworth Prize

Tuesday, March 22nd, 2016

Phyllida Barlow Representing Britain at 2017 Venice Biennale

Saturday, March 5th, 2016

London – Phyllida Barlow at Tate Britain Through October 19th, 2014

Thursday, August 28th, 2014

Freelands Foundation Issues Report on Gender Disparity in British Arts

Thursday, June 14th, 2018

Cathy Wilkes to Represent Great Britain in 2019 Venice Biennale

Tuesday, April 10th, 2018

AO On-Site – Basel: Art Basel at Messe Basel Through June 18th, 2017

Tuesday, June 13th, 2017

AO On-Site – Venice: The National Pavilions at the Venice Biennale, May 13th – November 26th, 2017

Saturday, May 13th, 2017

AO Preview – Frieze London Art Fair in Regent’s Park, October 6th – 9th, 2016

Monday, October 3rd, 2016

Los Angeles – “Revolution in the Making: Abstract Sculpture by Women, 1947-2016” at Hauser, Wirth & Schimmel Through September 4th, 2016

Sunday, May 8th, 2016

Tate Trustee Announces New £100k Prize to Female U.K. Artists

Thursday, March 31st, 2016

AO On-Site – New York: The 22nd Annual Armory Show at Piers 92 & 94, March 3rd – 6th, 2016

Thursday, March 3rd, 2016

AO On-Site – London: Frieze Art Fair in Regent’s Park, October 14th – 17th, 2015

Wednesday, October 14th, 2015

Nasher Sculpture Center Announces Major Art Prize

Tuesday, April 7th, 2015

Hauser and Wirth Open Somerset Gallery This Week

Friday, July 18th, 2014

AO On-Site – Venice: The 55th Venice Biennale, Opening Day

Thursday, May 30th, 2013

AO Onsite Photoset – Art 43 Basel, Art Unlimited and Art Statements section previews

Wednesday, June 13th, 2012

Thursday, March 29th, 2012

Monday, January 30th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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