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New York – Pia Camil: “Slats, skins and shop fittings” at Blum & Poe Through August 12th, 2016

Friday, August 12th, 2016

Paris – Camille Henrot: “The Pale Fox“ at Betonsalon through December 20th, 2014

Saturday, December 20th, 2014

AO On Site – New York: Frieze New York Art Fair on Randall’s Island May 14th-17th, 2015

Saturday, May 16th, 2015

Frieze New York Announces 2015 Projects Artists

Friday, February 6th, 2015

New York – Leo Xu Projects and Metro Pictures Host “A New Ballardian Vision” for Condo: New York, Through August 4th, 2017

Friday, August 4th, 2017

AO Auction Recap – London: Impressionist, Modern and Surrealist Sales, February 3rd, 2016

Thursday, February 4th, 2016

AO Preview – London: Frieze Art Fair at Regent’s Park, October 14th – 17th, 2015

Monday, October 12th, 2015

AO Recap – Art Basel 2013 in Basel Switzerland, June 13th-16th, 2013

Monday, June 17th, 2013
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Grand Palais Unveils Plans for Massive Three-Year Renovation

February 19th, 2018

Grand Palais, via Art NewspaperPlans have been unveiled for the Grand Palais’s €466m, three-year renovation, Art Newspaper reports.  “At the end of 2020, just over a century after its creation, the Grand Palais will turn a page in its history and begin a transformation that will allow it to finally enter the 21st century,” culture secretary Françoise Nyssen says.
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Marina Abramovic Profiled in The Guardian

February 19th, 2018

Marina Abramovic, via The GuardianMarina Abramovic is interviewed in The Guardian this month, as she prepares to exhibit a series of photos documenting her early performances. “I lived in cars and trucks, I’m amazed the negatives survived,” Abramović says. “To appreciate the present, we should really look to the past.”
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Rauschenberg’s Duchamp “Bottle Rack” Goes to Chicago

February 19th, 2018

Marcel Duchamp, via Art NewsThe Art Institute of Chicago has unveiled its recent acquisition, a rare Duchamp Bottle Rack from the collection of Robert Rauschenberg.  The artist’s foundation sold the piece to the museum in order to fund an endowment. “We always are making these kind of transformative acquisitions a priority,” says Art Institute president and director James Rondeau. “There are documents going back to the late ’80s and early ’90s expressing a desire for an object like this.”
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