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New York – Pier Paolo Calzolari: “And I Say” at Marianne Boesky Through March 25th, 2017

Monday, March 13th, 2017

AO On Site: 6th Berlin Biennial for Contemporary Art: La Monnaie Vivante after Pierre Klossowski, staged by Pierre Bal-Blanc

Friday, July 2nd, 2010

AO On-Site – Mexico City: Zona Maco Art Fair at Centro Banamex Through February 10th, 2019

Wednesday, February 6th, 2019

New York – “Contingencies: Arte Povera and After” at Luxembourg & Dayan Through December 16th, 2017

Tuesday, December 12th, 2017

AO Preview – London: Frieze London and London Art Week, October 4th – 8th, 2017

Tuesday, October 3rd, 2017

AO Preview – Miami Beach: Miami Art Week and Art Basel Miami Beach, November 30th – December 4th, 2016

Sunday, November 27th, 2016

Lawsuit Highlights Challenges for Collectors from Artist Foundations

Saturday, October 15th, 2016

Marianne Boesky to Open Downtown Space

Wednesday, April 30th, 2014

Rome – “Neon: The Luminous Matter Of Art” At The Museum of Contemporary Art of Rome Through November 11th, 2012

Thursday, November 1st, 2012

AO Onsite Photoset – Art 43 Basel, Art Unlimited and Art Statements section previews

Wednesday, June 13th, 2012

AO Preview – Mexico City Art Week, February 6th – 10th, 2019

Monday, February 4th, 2019
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Jonas Wood Profiled in NYT

March 25th, 2019

Jonas Wood gives the New York Times a tour of his East Hollywood Studio, showing off a series of works from his own practice and his personal collection. “I’ve been all-in on painting since I was younger, and I realized that it was because of a lot of fear that it would all go away,” he says. “That’s not how I want to paint in the future. The pressure and psychology of that setup isn’t totally right. I would like to build bodies of work outside the calendar schedule of art fairs and shows for a little while. I love painting, and I think I can paint without having a giant carrot in front of me. I don’t think that I’m the best at painting, and I want to get better at it.”
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Serpentine Under Fire Over Pavilion Architect’s Controversial Use of Interns

March 25th, 2019

The Serpentine Gallery is facing criticism over reports that the architect for this year’s pavilion, Junya Ishigami + Associates, uses unpaid interns working 12-hour shifts. “I considered [the internship] for a second, but then later I just realized how ridiculous the terms are,” one student said of the internship. “I can’t afford to do that, considering that Tokyo is not at all a cheap place to live.”
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The Guardian Explores the Challenges and Risks of Shipping and Transporting Masterpieces

March 25th, 2019

The Guardian has a piece this week on the logistics and challenges of shipping masterpiece artworks.  “At the end of the day, you have to make your peace with that,” one conservator says of the stressful and threatening conditions that works being shipped occasionally face. “You have to think what art is for.”
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