Search Results

Pierre Huyghe Winner of Second Nasher Sculpture Prize

Tuesday, September 27th, 2016

LACMA Follows Actors in Pierre Huyghe Piece After Exhibition Closes

Thursday, October 8th, 2015

Pierre Huyghe Wins 2015 Kurt Schwitters Award

Wednesday, February 18th, 2015

Los Angeles – Pierre Huyghe at LACMA Through February 21st, 2015

Friday, February 6th, 2015

Pierre Huyghe to Take on Met Rooftop Next Spring

Friday, January 16th, 2015

London – Pierre Huyghe: “IN. BORDER. DEEP.” at Hauser & Wirth Through November 1st, 2014

Thursday, October 30th, 2014

Pierre Huyghe Profiled in New York Times

Sunday, September 7th, 2014

New York – Pierre Huyghe at The Artist’s Institute Through August 17th, 2014

Friday, August 15th, 2014

Cologne – Pierre Huyghe at Museum Ludwig, through July 13th, 2014

Saturday, July 12th, 2014

Paris – Pierre Huyghe at Centre Pompidou Through January 6th, 2014

Wednesday, January 8th, 2014

Pierre Huyghe Interviewed in Art Newspaper

Tuesday, September 24th, 2013

New York – Adrián Villar Rojas: “The Theater of Disappearance” for the Met Roof Garden Commission Through October 29th, 2017

Sunday, April 23rd, 2017

New York – “Dreamlands: Immersive Cinema and Art, 1905–2016″ at the Whitney Museum Through February 5th, 2017

Sunday, January 22nd, 2017

New York: Philippe Parreno: “H {N)Y P N(Y} OSIS” At Park Avenue Armory Through August 2nd, 2015

Sunday, July 5th, 2015

AO Preview – New York: Frieze Week, May 13th-17th, 2015

Tuesday, May 12th, 2015

2014 Art Critics Association Awards Announced

Wednesday, April 29th, 2015

Maurizio Cattelan Tours the LA Art World, Reviews Jim Carrey’s Painting

Saturday, December 13th, 2014

London – AO Preview: Frieze Art Fair in Regent’s Park, October 15th – 18th, 2014

Monday, October 13th, 2014

AO Fair Photoset and Recap – London: Frieze Artfair at Regent’s Park, October 17th-20th, 2013

Sunday, October 20th, 2013

Kassel: Quinquennial exhibition dOCUMENTA (13) opens in Kassel on June 9th, to run through September 16th, 2012

Monday, June 11th, 2012

Los Angeles: Elizabeth Peyton at Regen Projects through May 12, 2012

Wednesday, April 25th, 2012

AO On Site Photoset – Art Basel Miami Beach 2011: Main Fair Overall Summary, December 1-4, 2011

Tuesday, December 6th, 2011

AO On Site – Paris: FIAC Preview (with photoset) and News Summary, October 20–23, 2011

Thursday, October 20th, 2011

AO On Site (with Photoset) – London: Frieze Art Fair 2011 Day 2 Review

Thursday, October 13th, 2011
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Documenta Work Faces Challenges by Far-Right Over Pro-Refugee Sculpture

August 22nd, 2017

Olu Oguibe, via DWDocumenta 14 is at the center of more political conflict this week, after a far-right German politician attacked a pro-refugee sculpture by Nigerian-born, US-based artist Olu Oguibe. Kassel city council member Thomas Materner, a member of Germany’s far-right AfD party, called the work “ideologically polarizing, disfigured art,” over its message. Curator Adam Szymczyk was reportedly “appalled” by the comments.
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Maxxi Museum Partners with Bulgari for New Arts Prize

August 22nd, 2017

Maxxi, via ArchdailyBulgari is aligning itself with Rome’s Maxxi museum to present a new prize for Italian contemporary arts, WWD reports. “The Premio Maxxi sees Italy at the center of the work of the artists involved,” says Jean Christophe Babin, Bulgari’s chief executive officer. “Supporting a prize that valorizes Italy but with significant international scope is in perfect harmony with the identity and values of a company such as Bulgari,” said Babin. “I am sure that this partnership will give new impetus to the prize.”
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London’s National Gallery Buys Bellotto Landscape for £11 Million

August 22nd, 2017

Bellotto, The Fortress of Königstein from the North (1756-58), via Art NewspaperLondon’s National Gallery has bought Bernardo Bellotto’s The Fortress of Königstein from the North (1756-58) for £11,670,000 following the deferment of an export bar on the work, the Art Newspaper reports. The piece “shows Bellotto as one of the greatest view painters of his time,” according to director Gabriele Finaldi.
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