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New York – Pierre Soulages at Galerie Perrotin and Dominique Lévy Through June 27th, 2014

Wednesday, June 4th, 2014

Pierre Soulages Profiled in New York Times

Friday, May 23rd, 2014

Soulages Museum to Open This Week in South of France

Thursday, May 29th, 2014

AO Preview – Hong Kong: Art Basel Hong Kong at Hong Kong Convention & Exhibition Center, March 23rd – 25th, 2017

Monday, March 20th, 2017

AO Auction Recap – London: Phillips 20th Century and Contemporary Evening Sale, February 9th, 2016

Wednesday, February 10th, 2016

AO Auction Preview – London Post-War and Contemporary Evening Sales, February 9th – 11th, 2016

Tuesday, February 9th, 2016

AO Auction Recap – London: Sotheby’s Contemporary Evening Sale, October 17th, 2014

Tuesday, October 21st, 2014

AO Auction Preview – London: Contemporary Evening Sales, October 15th-17th, 2014

Monday, October 13th, 2014

AO Auction Recap – London: Contemporary Evening Auctions, February 10th-13th, 2014

Thursday, February 13th, 2014

AO Auction Results: Post-War and Contemporary Evening Auctions in London, June 2013

Friday, June 28th, 2013

Contemporary Art Auction Week In London – Recap

Saturday, February 16th, 2013

AO On Site – Paris: FIAC 2010 Art Fair Review and Final Photo Set

Monday, October 25th, 2010
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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