Search Results

New York – Piotr Uklanski: “Fatal Attraction” at The Met Through August 16th, 2015

Friday, April 24th, 2015

Don’t Miss – London: Piotr Uklanski “Brut” at Gagosian Gallery, Through July 31, 2009

Thursday, July 30th, 2009

AO on Site – St. Barthélemy: Piotr Uklański 'Midsummer Night's Dream' at Gagosian through January 31, 2012

Tuesday, January 3rd, 2012

Go See – New York: Piotr Uklański ‘Discharge!’ at Gagosian Gallery through February 19, 2011

Tuesday, January 25th, 2011

New York – “Nice Weather” Curated by David Salle at Skarstedt Gallery Through April 16th, 2016

Wednesday, March 30th, 2016

AO Fair Preview: Art Basel Miami Beach, December 4th-9th, 2013

Monday, December 2nd, 2013

London – Maurizio Cattelan: “Think Twice: Collection Sandretto Re Rebaudengo, Maurizio Cattelan” at Whitechapel Gallery, through December 2nd, 2012

Saturday, December 1st, 2012

AO On Site – New York: The Armory Show Summary at Piers 92 & 94, March 8–11, 2012

Tuesday, March 13th, 2012

New York: ‘Grisaille’ at Luxembourg & Dayan extended through January 28, 2012

Thursday, January 26th, 2012

Living Artists

Thursday, July 7th, 2011

AO Onsite – The Whitney Biennial: 2010 opens at the Whitney Museum of American Art on the Upper East Side in New York

Sunday, February 28th, 2010

AO Breaking News: Artists Announced for 2010 Whitney Biennial in New York

Friday, December 11th, 2009

Go See – London: Pop Life at Tate Modern featuring Andy Warhol, Damien Hirst, Jeff Koons, Keith Haring, Tracey Emin and more. Through January 17, 2010

Saturday, October 24th, 2009

DON’T MISS – NEW YORK: ECSTATIC ABSTRACTION AT GAGOSIAN GALLERY UNTIL AUGUST 21, 2009

Wednesday, August 19th, 2009

Solomon R. Guggenheim Museum

Thursday, December 11th, 2008

Art Dealer Emmanuel Perrotin to Start a Fund to Help Finance Artists’ More Expensive Pieces

Monday, November 24th, 2008

The first major post-financial collapse art market event, The 2008 Frieze Art Fair, in London, is on right now.

Friday, October 17th, 2008

AO On Site: “Pretty Ugly” at Gavin Brown’s Enterprise and Maccarone in New York, through August 29

Friday, July 11th, 2008

Go See: Elizabeth Peyton ‘Live Forever’ at the New Museum in NYC through January 11, 2008

Friday, October 17th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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