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Go See – New York: Omer Fast at Postmasters Gallery through February 13 and Whitney Museum of American Art through February 14, 2010

Wednesday, January 20th, 2010

Postmasters to Open in Rome

Thursday, June 13th, 2019

New York – Ryder Ripps: “Ho” at Postmasters Through February 28th, 2015

Monday, February 16th, 2015

Chelsea Rents Drive Out Smaller Galleries

Thursday, February 21st, 2013

AO On Site – New York: Jayson Musson aka Hennesy Youngman at Salon 94 through August 17, 2012

Sunday, July 15th, 2012

AO On-Site – Miami Beach: Untitled Art Fair at 12th Street and Ocean Drive, December 2nd – 6th, 2015

Sunday, December 6th, 2015

New York – Ryder Ripps: “Alone Together” at Red Bull Studios Through April 12th, 2015

Thursday, April 9th, 2015
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Jerry Saltz Triumphs Over TriBeCa’s Art World Ascendance

September 18th, 2019

Jerry Saltz pens a piece in NY Mag this week trumpeting the return of the TriBeCa art scene, as a range of galleries open in the neighborhood. “Against all odds, can New York have a good art neighborhood with a walkable density of galleries?” He asks.  “Galleries with wooden floors, flaws, and funny footprints, which are more like where artists actually make art than all those perfect, concrete-floored slick showrooms?”
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Whitney Breaks Ground on Monumental David Hammons Sculpture

September 18th, 2019

The Whitney has broken ground on David Hammons’s Day’s End (2020), a permanent install across from the museum in the southern edge of Gansevoort Peninsula.  The piece is referred to by the artist as a “ghost monument” to Gordon Matta-Clark’s 1975 work of the same name in the same location.
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Ragnar Kjartansson Interviewed on Making ‘The Visitors’

September 18th, 2019

The Guardian’s running series of highlights of 21st Century arts features Ragnar Kjartansson’s The Visitors, calling it the best artwork of the 21st Century so far.  “It has a special place in my heart, but it was such a feelgood piece that I had to make some really dark shit afterwards,” he says of his work. “No artist has a favorite piece. Maybe you can pick one when you’re really old – but it’s something I’m super proud of. It took on a life of its own.”
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