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AO Online – NADA Miami, December 1st – 5th, 2020

Saturday, December 5th, 2020

AO FAIR PREVIEW – LONDON: FRIEZE LONDON ART WEEK, OCTOBER 3TH – 6TH, 2019

Tuesday, October 1st, 2019

AO Preview – Basel, Switzerland: The Art Basel Art Fair, June 14th – 17th, 2018

Saturday, June 9th, 2018

Gallerists Discuss “Robin Hood” Tax at Frieze

Thursday, May 3rd, 2018

AO Preview -New York: Frieze New York at Randall’s Island, May 3rd-6th, 2018

Sunday, April 29th, 2018

Latin American Galleries Launch Collaborative Space in Glendale

Tuesday, August 15th, 2017

NADA Names New Member Galleries, President of Board

Monday, January 30th, 2017

AO On-Site – Miami Beach: NADA at the Deauville Resort and Hotel, December 1st – December 4th, 2016

Friday, December 2nd, 2016

New York – NADA New York at Basketball City on Pier 36, May 5th – 8th, 2016

Saturday, May 7th, 2016

AO On-Site: NADA New York at Basketball City, May 9th-11th, 2014

Monday, May 12th, 2014
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Jail for Spanish Forger Who Attempted Sale of 15 Fake Works

February 21st, 2023

A Spanish court has sentenced an art collector to prison for selling a set of fake works, including a series of forged works attributed to Edvard Munch and Roy Lichtenstein.
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The Guardian Interviews Former Subjects of Painter Alice Neel

February 21st, 2023

The Guardian has a piece this week on what it was like to be painted by Alice Neel. “One day Alice said she wanted to paint me and to bring some things I could wear, so I packed a little suitcase and had various costumes,” says artist and sex activist Annie Sprinkle. “I’d just had my labia pierced and I was showing it off, and she really wanted to see that. She picked a leather outfit and I put a feather in my hair.”
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Alice Walton’s Art Bridges Foundation Behind $4.5 Million Robert Colescott Buy

February 21st, 2023

Alice Walton’s Art Bridges Foundation is apparently behind the $4.5 million purchase of a Robert Colescott at Bonhams this month. “This work in particular presents a hopeful and powerful message, and we are pleased that it resonated so strongly with individuals and institutions alike,” says Ralph Taylor, Bonhams’s global head for postwar and contemporary art.
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