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Rachel Whiteread, Wolfgang Tillmans Donate Works for Grenfell Tower Benefit Auction

Wednesday, October 11th, 2017

Rachel Whiteread Interviewed in The Guardian

Monday, March 27th, 2017

Rachel Whiteread Installs New Work on Governor’s Island

Monday, June 27th, 2016

New York – Rachel Whiteread: “Looking Out” at Luhring Augustine Bushwick Through December 20th, 2015

Friday, November 13th, 2015

Rachel Whiteread Redesigns London Tube Map

Saturday, April 26th, 2014

London – Rachel Whiteread: “Detached” at Gagosian Britannia Street, through May 25th 2013

Monday, May 6th, 2013

GO SEE, NEW YORK – RACHEL WHITEREAD AT LUHRING AUGUSTINE GALLERY THROUGH APRIL 30TH, 2011

Monday, March 28th, 2011

Go See – London: Rachel Whiteread at Gagosian Gallery Davies Street through October 2nd, 2010

Friday, September 10th, 2010

Don’t Miss – Los Angeles: Rachel Whiteread “Drawings” at the UCLA Hammer Museum through April 25, 2010

Wednesday, April 21st, 2010

Rachel Whiteread

Monday, December 1st, 2008

Go See: Rachel Whiteread at The Boston Museum of Fine Arts, through January 25th, 2009

Friday, November 28th, 2008

AO On-Site – Basel: Art Basel Art Fair, June 14th – 17th, 2018

Wednesday, June 13th, 2018

San Francisco – “Plane.Site” at Gagosian Gallery Through August 27th, 2016

Sunday, August 7th, 2016

AO Preview – Basel: Art Basel Week Through June 19th, 2016

Monday, June 13th, 2016

AO Events and Art Preview – Miami Beach: Art Basel Miami Beach 2016 and Miami Art Week, December 3rd – 6th, 2015

Monday, November 30th, 2015

NYT Looks at Models of Quantum Physics and Space as Translated Through Contemporary Art

Friday, November 27th, 2015

The Guardian Publishes Special Series Exploring Age and Art Featuring Richard Deacon, Laure Prouvost and Others

Tuesday, November 17th, 2015

New York – Matthew Darbyshire: “Suite” at Lisa Cooley Through March 29th, 2015

Friday, March 27th, 2015

AO Newslink

Saturday, November 10th, 2012

London: “The Art of Chess” at Saatchi Gallery Through October 3rd

Wednesday, September 19th, 2012

London: Tino Sehgal’s ‘These Associations’ at the Tate Modern, July 24 through October 28, 2012

Wednesday, July 25th, 2012

AO Newslink

Tuesday, July 10th, 2012

AO Newslink

Thursday, June 14th, 2012

Saturday, February 11th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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