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Work Believed to be by Raphael Discovered by National Trust for Scotland

Tuesday, October 4th, 2016

Frieze London Announces Raphael Gygax as New Projects Curator

Saturday, November 28th, 2015

Pre-Raphaelite Mural Discovered in Home of William Morris

Monday, August 19th, 2013

New York – “Reinventing Abstraction,” Curated by Raphael Rubenstein at Cheim & Read Through August 30th, 2013

Monday, August 19th, 2013

Leon Black is the buyer of Raphael’s “Head of a Young Apostle”

Saturday, June 22nd, 2013

UK Places Export Ban on £29 Million Raphael

Friday, April 5th, 2013

Raphael’s “Head of a Young Apostle” raises record $47.8 Million at Sotheby’s

Thursday, December 6th, 2012

Raphael Sanzio

Tuesday, December 2nd, 2008

Art Newspaper Looks at History of Courbet’s “Origin of the World”

Saturday, December 24th, 2016

London – Elizabeth Peyton at Sadie Coles HQ Through February 20th, 2015

Sunday, January 24th, 2016

Sotheby’s Will Sell Rosetti “Prosperine” This Fall in London

Thursday, July 11th, 2013

London Old Masters Sales bring uneven results

Sunday, December 9th, 2012

Louvre opens its first outpost in Lens, France

Saturday, December 1st, 2012

AO Newslink

Tuesday, September 4th, 2012

AO Newslink

Sunday, August 5th, 2012

AO Newslink

Friday, July 13th, 2012

New York: ‘Keith Haring: 1978–1982′ at the Brooklyn Museum through July 8, 2012

Sunday, April 15th, 2012

AO Breaking: Titian’s Diana and Castillo purchased by the National Galleries of London and Scotland

Thursday, March 1st, 2012

AO On Site (with Photoset) – Paris: FIAC 2011 Opening Day Review, October 21, 2011

Saturday, October 22nd, 2011

AO On Site Photoset with Video – New York: Bring To Light | Nuit Blanche New York 2011, Greenpoint, Brooklyn, October 1st, 2011

Tuesday, October 4th, 2011

Deceased Artists

Thursday, July 7th, 2011

Go See – New York: Luhring Augustine celebrates its 25th Anniversary through June 19th, 2010

Saturday, June 5th, 2010

AO Auction Preview – Old Master’s Week, New York City

Wednesday, January 27th, 2010

Art Observed Newslinks For Wednesday December 16th, 2009

Wednesday, December 16th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.

ICA Philadelphia Gets W.A.G.E. Certification

March 23rd, 2018

ICA Philly, via Art NewsThe ICA Philadelphia will be the first museum certified by Working Artists and the Greater Economy (W.A.G.E.), a New York-based organization pushing for sustainable economic relationships between artists and exhibiting institutions. “Our partnership with W.A.G.E. helps to set a new standard in the museum field, one that ensures equitable environments for the artists with whom we work,” director, Amy Sadao, said in a statement.“We’re proud to be the first museum to join this diverse group of arts and culture institutions across the U.S. who are certified, and hope that it will encourage other museums to do the same.”
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Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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