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Guggenheim to Work with Rem Koolhaas on New Research Project

Sunday, December 3rd, 2017

Rem Koolhaas’s OMA to Design Expansion for New Museum

Wednesday, October 11th, 2017

Twombly Work to Sell at Sotheby’s to Benefit Rem Koolhaas Building in LA

Saturday, September 19th, 2015

The Guardian Profiles New Rem Koolhaas Designed Museums in Europe

Monday, June 15th, 2015

Dasha Zhukova and Rem Koolhaas Partner to Create New Home for the Garage Center

Tuesday, January 13th, 2015

REM KOOLHAAS CHOSEN TO MODERNIZE HERMITAGE MUSEUM’S ART DISPLAYS

Thursday, January 31st, 2008

Marina Abramović plans to open $8 million Rem Koolhaus-designed performing art space in Hudson, New York

Friday, February 17th, 2012

Stedelijk Director Calls for Consideration of “De-Growth” for Museums

Monday, March 13th, 2017

AO Preview – Miami Beach: Miami Art Week and Art Basel Miami Beach, November 30th – December 4th, 2016

Sunday, November 27th, 2016

Buffalo’s Albright-Knox Taps OMA for Campus Redesign

Saturday, June 11th, 2016

One Third of Collectors in Art News Top 20 Have Founded Museums, Art Newspaper Notes

Friday, July 10th, 2015

Garage Center Opens in Moscow

Tuesday, June 16th, 2015

New York Times Looks at the Soon to be Completed Prada Foundation Complex in Milan

Thursday, April 23rd, 2015

Fondazione Prada Unveils OMA-Designed Building for Milan

Thursday, December 11th, 2014

London – Sou Fujimoto: “Serpentine Gallery Pavilion” at Serpentine Gallery through October 30th, 2013

Tuesday, August 6th, 2013

Sou Fujimoto-designed Serpentine Pavilion Opens in London

Tuesday, June 11th, 2013

AO Newslink

Sunday, October 7th, 2012

AO On Site – Art 43 Basel Final Photoset and AO News Wrapup

Monday, June 18th, 2012

AO On Site – Basel – Artist talk with Jeff Koons at Fondation Beyeler, Thursday, June 14, 2012

Thursday, June 14th, 2012

AO Newslink

Friday, April 27th, 2012

Milan: Marina Abramovic ‘The Abramovic Method’ at PAC Padiglione d’Arte Contemporanea through June 10, 2012, and ‘With Eyes Closed I See Happiness’ at Galleria Lia Rumma through May 12, 2012

Tuesday, April 17th, 2012

Paris: Francesco Vezzoli ‘The 24 Hour Museum’ at Palais d’Iéna January 24-25, 2012

Tuesday, January 24th, 2012

AO Guest Editorial/Review by Patrick Meagher of The Silvershed – New York: Dan Colen ‘Poetry’ at Gagosian Gallery, September 10 through October 16, 2010

Monday, September 27th, 2010

Go See – London: Serpentine Gallery Summer Pavilion designed by SANAA through October 18, 2009

Friday, July 10th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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