Search Results

Los Angeles – Robert Irwin at Sprüth Magers Through April 21st, 2018

Monday, April 9th, 2018

Robert Irwin Profiled in LA Times

Saturday, February 10th, 2018

Robert Irwin Profiled in Art Newspaper

Tuesday, July 26th, 2016

AO On Site, Marfa, TX – Robert Irwin: Debut of “Dawn to Dusk” Permanent Installation at Chinati Foundation

Tuesday, July 26th, 2016

Robert Irwin Profiled in W Magazine as He Opens Permanent Marfa Installation

Sunday, July 24th, 2016

Robert Irwin Profiled in NYT

Sunday, January 3rd, 2016

Robert Irwin Installing Major Commission at Hirshhorn

Friday, November 27th, 2015

London – Robert Irwin: “2 x 2 x 2 x 2″ at White Cube Bermondsey Through November 15th, 2015

Saturday, October 17th, 2015

New York – Robert Irwin: “Cacophonous” at Pace Gallery Through May 9th, 2015

Monday, May 4th, 2015

Cologne – Robert Irwin at Galerie Thomas Zander Through August 23rd, 2014

Tuesday, August 19th, 2014

London – Robert Irwin at Pace London, through August 17th 2013

Monday, August 5th, 2013

New York – Robert Irwin: “Black Rectangle – Scrim Veil – Natural Light” at The Whitney Through September 1st, 2013

Wednesday, July 10th, 2013

New York – Robert Irwin: “Dotting the i’s & Crossing the t’s” at Pace Gallery Through October 20th, 2012

Friday, October 19th, 2012

Go See – New York: The Parallax View featuring Dan Flavin, Eva Hesse, Bruce Nauman, Robert Smithson and others at Lehmann Maupin Gallery, 26th Street, Chelsea through March 19th, 2011

Tuesday, March 15th, 2011

New York – Doug Wheeler: “Encasements” at David Zwirner Through March 5th, 2016

Saturday, February 27th, 2016

Almine Rech and White Cube Both Planning Spaces in New York

Thursday, December 10th, 2015

AO Preview – Basel, Switzerland: Art Basel Art Fair, June 18th-21st, 2015

Monday, June 15th, 2015

Art Basel Releases 74-Artist List for Unlimited Section Next Month

Friday, May 15th, 2015

AO On-Site Summary and Photoset: Art Basel Miami Beach, December 4th – 9th, 2013

Thursday, December 5th, 2013

Berlin: Jeppe Hein at St. Agnes Church, Presented by Johann König Through October 20th, 2013

Thursday, October 17th, 2013

London’s Mayfair District Sees New American Neighbors

Tuesday, July 16th, 2013

Paris: Ellsworth Kelly at Galerie Marian Goodman through July 13, 2012

Thursday, July 12th, 2012

AO Onsite – Basel: Art 43 Basel 2012 Set to Begin

Tuesday, June 12th, 2012

AO On Site Photoset and Video Tour – New York: Tom Sachs ‘SPACE PROGRAM: MARS’ at the Park Avenue Armory through June 17, 2012

Thursday, May 17th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Peter Halley, Barbara Bloom, Ashley Bickerton, Joan Wallace and Jeff Koons Talk 1980’s LES Art Scene in NYT

April 20th, 2018

Artists outside Katzs, via NYTPeter Halley, Barbara Bloom, Ashley Bickerton, Joan Wallace and Jeff Koons get together for a piece in the New York Times this week, dining at Katz’s and discussing the 80’s scene downtown. “SoHo had this hierarchy and the gallery structure, but when all these artists opened these fresh, young galleries, there was no hierarchy there,” Koons says of spaces in the Lower East Side. “It was really about showing exciting works. Things weren’t set up as business-oriented. I went through some of the SoHo galleries, but I was never completely accepted there. And as outsiders we finally had a place where we were embraced.”
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Tate Seeking Young Trustee for Museum Leadership

April 20th, 2018

tate, via Art NewspaperThe Tate is looking to appoint its first trustee to represent the interests of people aged 16-25, and will lower prices for younger visitors, the Art Newspaper reports. Tate head Maria Balshaw is reportedly seeking “a cultural entrepreneur and digital native” to help represent the interests of a new generation at the museum.
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Tate Archives Showcases Founding of New Outposts

April 20th, 2018

Tate Modern, via New YorkerThe newly opened Tate archives get a spotlight in the Art Newspaper this week, profiling the struggle and logistics behind opening the Tate Britain and Tate Modern as separate branches of the same institution. “I was always worried about appearing isolationist in regard to British art,” the piece quotes former Modern head Nicholas Serota. 
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