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Ruba Katrib Joins MoMA PS1 as Curator

Friday, August 25th, 2017

Ruba Katrib Joins Frieze London as Curatorial Advisor

Friday, January 20th, 2017

New York: “Puddle, Pothole, Portal” Curated by Ruba Katrib and Camille Henrot at SculptureCenter Through January 5th, 2015

Monday, November 17th, 2014

AO On Site with Photoset and Interview with MoCa Miami Associate Curator Ruba Katrib – Art Basel Miami Beach 2010: The NADA Art Fair the Deauville Resort, Miami Beach

Sunday, December 5th, 2010

MoMA Taps Group of Four Curators for 2020 Greater New York Show

Monday, December 16th, 2019

Niki de Saint Phalle Subject of MoMA PS1 Retrospective

Wednesday, September 18th, 2019

RIP – Artist Nicola L. Passes Away at 81

Thursday, January 3rd, 2019

New York – “The Eccentrics” at SculptureCenter Through April 4th, 2016

Sunday, March 20th, 2016

SculptureCenter’s Reopening Featured in New York Times

Saturday, October 4th, 2014

New York – Elaine Lustig Cohen & Heman Chong: “Correspondences” at P! Through June 22nd, 2014

Friday, June 20th, 2014

Art News – NADA to expand by opening new art fair in Hudson, New York this summer

Monday, March 28th, 2011
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Jean-Michel Basquiat Work at TEFAF 2017 Revealed as Fake by André Heller

November 3rd, 2022

Musician and artist André Heller fabricated a falsely attributed Jean-Michel Basquiat for sale at TEFAF in 2017, Art News reports. “In retrospect, the whole thing is, firstly, a childish prank. Secondly, it is naturally showing off. And thirdly, it is a stupid mixture of fiction and truth,” he says. “Just a private fairy tale.”
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Monica Bonvicini “Pauses” Representation with König Galerie After Allegations Against Founder

November 3rd, 2022

Monica Bonvicini has “paused” her relationship with König Galerie after sexual harassment allegations broke against its founder, Johann König.
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Oscar yi Hou Profiled in NYT

October 25th, 2022

Artist Oscar yi Hou gets the profile treatment in the New York Times this week, as he opens a show at the Brooklyn Museum. “I think by creating symbolic densities, you’re able to invite the viewer to pay more attention to the works,” he says. “I try to honor the opacity of the subject.”
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