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MoMA Hires Top SFMoMA Curator

Friday, February 14th, 2020

SFMoMA Buys 11 Works with Funds from Rothko Sale

Thursday, June 27th, 2019

Golden State Warriors to Install Work from SFMoMA at Arena

Wednesday, June 12th, 2019

SFMOMA Taps Janet Bishop as New Chief Curator

Friday, March 1st, 2019

SFMOMA and Baltimore Museum of Art Jointly Organizing Show on Joan Mitchell

Thursday, June 14th, 2018

SF Chronicle Gives In-Depth Analysis on Gift of Fisher Collection to SFMoMA

Monday, August 22nd, 2016

Visitor to SFMoMA Trips and Falls into Warhol Painting

Tuesday, June 7th, 2016

SFMoMA Reopens with Fisher Collection on View

Saturday, April 30th, 2016

SFMoMA Close to $600 Million Fundraising Goal

Tuesday, June 24th, 2014

SFMoMA Given Grant to Investigate New Tech, Roles for Contemporary Museum

Tuesday, February 11th, 2014

Ed Ruscha Joins Board of SFMoMA One Year After Leaving MOCA

Saturday, August 17th, 2013

San Francisco – SFMoMA Closing Celebration and Screening of “The Clock” by Christian Marclay, June 2nd, 2013

Thursday, June 6th, 2013

SFMOMA Gears Up For Expansion Schedule

Sunday, March 3rd, 2013

Go See – San Francisco: Luc Tuymans Retrospective at SFMOMA through May 2, 2010

Sunday, March 21st, 2010

Olafur Eliasson at SFMOMA

Monday, September 17th, 2007

Education Resources for Artists During COVID-19 Quarantine

Thursday, April 23rd, 2020

Dawoud Bey Interviewed in The Guardian

Monday, February 17th, 2020

AO Preview – New York: Performa 17 Performance Art Biennial, November 1st – 19th, 2017

Tuesday, October 31st, 2017

Julie Mehretu Profiled in NYT

Saturday, August 5th, 2017

Eungie Joo Appointed Curator of Contemporary Art

Friday, June 2nd, 2017

San Francisco – “Plane.Site” at Gagosian Gallery Through August 27th, 2016

Sunday, August 7th, 2016

San Francisco Move by Gagosian Gallery Profiled in NYT

Friday, May 6th, 2016

Andrew Kreps and Anton Kern Team Up for Temporary San Fran Gallery

Wednesday, March 23rd, 2016

Gagosian Gallery Opening in San Francisco

Friday, March 11th, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

NYT Notes Generation Gap in Online Art Sales

June 9th, 2020

As art sales go online, the NYT notes an increasing generation gap, with older buyers tapering off their purchases and younger buyers continuing to collect. “The resistance from older collectors is still there,” says Anders Petterson, founder of analytics firm ArtTactic.  “When there is no physical art world, how do you substitute that experience?” he added. “Younger people are a lot quicker to adapt.”
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Unrest Over Killing of George Floyd Forces Museums to Address Institutionalized Racism

June 9th, 2020

A piece in the New York Times charts pressure on institutions to address problems of systemic racism and injustice in their organizations, collections and programs, following the social unrest caused by the killing of George Floyd at the hands of the police.  “I do not think art museums have done enough,” says Chris Anagnos, executive director of the Association of Art Museum Directors. “We have dabbled around the edges of the work, but in our place of privilege we will never live up to the statement that ‘museums are for everyone’ unless we begin to confront, examine and dismantle the various structures that brought us to this point.”
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Art Basel Cancelled

June 9th, 2020

Art Basel has completely cancelled the 2020 edition of its fair in the Swiss town, after an attempt to move the fair’s dates to September.  “While there are signs of hope as individual countries are coming out of lockdown, the global situation remains precarious, and, unfortunately, too many uncertainties remain to go ahead with the fair,” the organization said in a statement. “These include the health risks posed by large gatherings, the limitations on intercontinental travel, and the unclear Swiss regulatory environment for shows of Art Basel’s size. Given these uncertainties, we believe that the best option concerning the Basel show is to focus on next year’s edition and delivering a fair of the exceptional international quality that the artworld expects.”
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