Search Results

Sculpture Center Names Sohrab Mohebbi as New Curator

Friday, February 16th, 2018

NYT Reports on Ongoing Financial Crisis in Dallas, Caused in Part by Dispute with Nasher Sculpture Center

Tuesday, November 22nd, 2016

Nasher Sculpture Center Announces Major Art Prize

Tuesday, April 7th, 2015

Fake social media profiles part of Dallas pension fund’s PR duel with Nasher Sculpture Center

Tuesday, July 30th, 2013

Christian Rattemeyer Named Director of SculptureCenter

Friday, June 28th, 2019

Frieze Sculpture Show Comes to Rockefeller Center

Thursday, March 14th, 2019

SculptureCenter Fall Season Lands Solo Shows for Aki Sasamoto, Cosima von Bonin 

Wednesday, August 24th, 2016

New York – “The Eccentrics” at SculptureCenter Through April 4th, 2016

Sunday, March 20th, 2016

Los Angeles – Erwin Wurm: “One Minute Sculptures” at MAK Center Through March 27th, 2016

Monday, March 14th, 2016

New York: “Puddle, Pothole, Portal” Curated by Ruba Katrib and Camille Henrot at SculptureCenter Through January 5th, 2015

Monday, November 17th, 2014

SculptureCenter’s Reopening Featured in New York Times

Saturday, October 4th, 2014

Ursula von Rydingsvard Interviewed by Bloomberg on Barclays Center Sculpture

Tuesday, October 15th, 2013

Monumental New Sculpture Installed at Barclays Center

Sunday, September 1st, 2013

Ugo Rondinone’s New Public Sculptures Come to Rockefeller Center

Friday, April 19th, 2013

AO On Site – New York: SculptureCenter Annual Benefit and Gala honoring Paula Cooper with Performance by Christian Marclay in collaboration with John Baldessari at Edison Ballroom, Wednesday, October 24th, 2012

Monday, October 29th, 2012

AO On Site Photoset – New York: Opening of Sanford Biggers “Cosmic Voodoo Circus” at SculptureCenter, Saturday, September 10, 2011

Sunday, September 11th, 2011

Go See – Long Island City, New York: “Time Again” at SculptureCenter through July 25, 2011

Thursday, May 26th, 2011

AO on Site: SculptureCenter’s Lucky Draw Spring Benefit 2011

Friday, April 22nd, 2011

AO On Site – New York: Knight’s Move at SculptureCenter, through July 26, 2010

Sunday, May 9th, 2010

AO On Site – SculptureCenter’s Lucky Draw 2010, April 13th, 2010, Long Island City, New York

Wednesday, April 21st, 2010

Miami Beach Spending on Convention Center Profiled in CityLab

Wednesday, May 8th, 2019

AO Recap – Hong Kong: Art Basel Hong Kong at the Hong Kong Convention Center, March 29th – 31st, 2019

Friday, March 29th, 2019

AO Preview – Art Basel Hong Kong at the Hong Kong Convention Center, March 27th – 31st, 2019

Tuesday, March 26th, 2019

Walker Art Center Launches Indigenous Public Arts Commission

Thursday, January 17th, 2019
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Felix LA to Return with Expanded Gallery List

September 11th, 2019

Felix LA will return in 2020 with an expanded exhibitor list of 60 gallerists.  “We are thrilled to expand Felix’s community and welcome an incredible slate of new and returning exhibitors for the second edition,” founders Dean Valentine, Al Morán, and Mills Morán said in a statement. “The growth and diversification of our roster attests to the burgeoning Los Angeles art scene and the desperate need for the new type of art fair experience that Felix offered collectors and exhibitors alike.”
Read More »

Tate Modern Brings on International Curators

September 11th, 2019

Four departments at the Tate Modern have brought on new talent under the title Curator, International Art, signaling an expanded focus for the institution’s programming.  “Their significant experience and expertise will play an important part in expanding our knowledge of modern and contemporary art from Africa, South Asia, and the Middle East, furthering our ambition to present a truly international story of art through our program and collection,” says Frances Morris, Tate Modern’s director.
Read More »

Artist Nicholas Galanin on Pulling Work from Whitney Biennial

September 11th, 2019

Artist Nicholas Galanin has a piece in Art News this week as he discusses his decisions to pull work from this year’s Whitney Biennial.  “My decision to remove my work from the Whitney came when my hope for meaningful conversation was met with inaction—on the part of many but, most fatefully, by the museum, which for weeks and then months failed to issue any meaningful response to protests mounting within its walls,” he says. “For me, that inaction translated to complicity with militarized denial of the right of Indigenous people to freely move through land that we belong to.”
Read More »

REFERENCE LIBRARY