Search Results

Sculpture Center Names Sohrab Mohebbi as New Curator

Friday, February 16th, 2018

NYT Reports on Ongoing Financial Crisis in Dallas, Caused in Part by Dispute with Nasher Sculpture Center

Tuesday, November 22nd, 2016

Nasher Sculpture Center Announces Major Art Prize

Tuesday, April 7th, 2015

Fake social media profiles part of Dallas pension fund’s PR duel with Nasher Sculpture Center

Tuesday, July 30th, 2013

SculptureCenter Fall Season Lands Solo Shows for Aki Sasamoto, Cosima von Bonin 

Wednesday, August 24th, 2016

New York – “The Eccentrics” at SculptureCenter Through April 4th, 2016

Sunday, March 20th, 2016

Los Angeles – Erwin Wurm: “One Minute Sculptures” at MAK Center Through March 27th, 2016

Monday, March 14th, 2016

New York: “Puddle, Pothole, Portal” Curated by Ruba Katrib and Camille Henrot at SculptureCenter Through January 5th, 2015

Monday, November 17th, 2014

SculptureCenter’s Reopening Featured in New York Times

Saturday, October 4th, 2014

Ursula von Rydingsvard Interviewed by Bloomberg on Barclays Center Sculpture

Tuesday, October 15th, 2013

Monumental New Sculpture Installed at Barclays Center

Sunday, September 1st, 2013

Ugo Rondinone’s New Public Sculptures Come to Rockefeller Center

Friday, April 19th, 2013

AO On Site – New York: SculptureCenter Annual Benefit and Gala honoring Paula Cooper with Performance by Christian Marclay in collaboration with John Baldessari at Edison Ballroom, Wednesday, October 24th, 2012

Monday, October 29th, 2012

AO On Site Photoset – New York: Opening of Sanford Biggers “Cosmic Voodoo Circus” at SculptureCenter, Saturday, September 10, 2011

Sunday, September 11th, 2011

Go See – Long Island City, New York: “Time Again” at SculptureCenter through July 25, 2011

Thursday, May 26th, 2011

AO on Site: SculptureCenter’s Lucky Draw Spring Benefit 2011

Friday, April 22nd, 2011

AO On Site – New York: Knight’s Move at SculptureCenter, through July 26, 2010

Sunday, May 9th, 2010

AO On Site – SculptureCenter’s Lucky Draw 2010, April 13th, 2010, Long Island City, New York

Wednesday, April 21st, 2010

Hong Kong – Art Basel Hong Kong at the Hong Kong Convention Center, March 29th – 31st, 2018

Thursday, March 29th, 2018

Greenwich, CT — Jason Rhoades at The Brant Foundation Art Study Center Through April 1st, 2018

Friday, January 5th, 2018

AO On-Site – Miami Beach: Art Basel Miami Beach at the Miami Beach Convention Center, December 7th – 10th, 2017

Friday, December 8th, 2017

Theaster Gates Wins Nasher Prize for Sculpture

Wednesday, September 20th, 2017

Documenta Work Faces Challenges by Far-Right Over Pro-Refugee Sculpture

Tuesday, August 22nd, 2017

Water Mill, NY – The 24th Annual Watermill Center Summer Benefit & Auction, July 29th, 2017

Tuesday, August 1st, 2017
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Sotheby’s to Reset Modigliani Auction Record with Massive $150 Million Estimate this May

April 24th, 2018

Modigliani, via Art NewsSotheby’s will set a new world auction record with Amedeo Modigliani’s Nu couché (sur le côté gauche) at this month’s Impressionist and Modern Sale in New York, with an estimate of more than $150 million. The figure is the highest estimate ever placed on a work of art, and has already been confirmed as a record breaker. “This painting reimagines the nude for the modern era,” says Simon Shaw, the co-head worldwide of Sotheby’s Impressionist and modern art department.
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NYT Spotlights Museums’ Efforts to Highlight Latinx Artists

April 24th, 2018

Clarissa Tossin, via NYTA piece in the New York Times this week notes the increased focus by museums towards Latinx artists.  “We’re at a really important point in history where plural curatorial voices can show not just a survey,” says Marcela Guerrero, who was recently hired as the Whitney’s first curator specializing in Latinx artists. “We can now go deeper and start unpacking what Latino art really is.”
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Anicka Yi Interviewed in Frieze

April 24th, 2018

Anicka Yi, via FriezeAnicka Yi is interviewed in Frieze this week, discussing her practice and what she sees as the next steps for women in the arts. “In general, I learned fairly early on that cisgender, straight-identifying females tend to not help other women,” she says of her early experience in the arts. “It’s not even a conscious malicious act, in most instances. It’s a deep conditioning that somehow distancing yourself from the perceived ‘weaker pack’, with all its attendant baggage, might advance your uniqueness as an individual, making you less prone to be judged as a ‘vulnerable woman’.”
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