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SculptureCenter Fall Season Lands Solo Shows for Aki Sasamoto, Cosima von Bonin 

Wednesday, August 24th, 2016

New York – “The Eccentrics” at SculptureCenter Through April 4th, 2016

Sunday, March 20th, 2016

New York: “Puddle, Pothole, Portal” Curated by Ruba Katrib and Camille Henrot at SculptureCenter Through January 5th, 2015

Monday, November 17th, 2014

SculptureCenter’s Reopening Featured in New York Times

Saturday, October 4th, 2014

AO On Site – New York: SculptureCenter Annual Benefit and Gala honoring Paula Cooper with Performance by Christian Marclay in collaboration with John Baldessari at Edison Ballroom, Wednesday, October 24th, 2012

Monday, October 29th, 2012

AO On Site Photoset – New York: Opening of Sanford Biggers “Cosmic Voodoo Circus” at SculptureCenter, Saturday, September 10, 2011

Sunday, September 11th, 2011

Go See – Long Island City, New York: “Time Again” at SculptureCenter through July 25, 2011

Thursday, May 26th, 2011

AO on Site: SculptureCenter’s Lucky Draw Spring Benefit 2011

Friday, April 22nd, 2011

AO On Site – New York: Knight’s Move at SculptureCenter, through July 26, 2010

Sunday, May 9th, 2010

AO On Site – SculptureCenter’s Lucky Draw 2010, April 13th, 2010, Long Island City, New York

Wednesday, April 21st, 2010

Sculpture Center Names Sohrab Mohebbi as New Curator

Friday, February 16th, 2018

Ruba Katrib Joins MoMA PS1 as Curator

Friday, August 25th, 2017

Ruba Katrib Joins Frieze London as Curatorial Advisor

Friday, January 20th, 2017

Art Newspaper Notes Almost $5 Billion in Expansions for US Arts Institutions During Massive US Recession

Tuesday, April 5th, 2016

AO On-Site – New York: The 22nd Annual Armory Show at Piers 92 & 94, March 3rd – 6th, 2016

Thursday, March 3rd, 2016

Larry Gagosian Sells His Upper East Side Carriage House

Thursday, October 15th, 2015

AO On Site – New York: Frieze New York Art Fair on Randall’s Island May 14th-17th, 2015

Saturday, May 16th, 2015

AO Preview – New York: Frieze Week, May 13th-17th, 2015

Tuesday, May 12th, 2015

Nasher Sculpture Center Announces Major Art Prize

Tuesday, April 7th, 2015

Art Basel Launches Crowdfunding Platform with Kickstarter

Sunday, September 14th, 2014

New York – Elaine Lustig Cohen & Heman Chong: “Correspondences” at P! Through June 22nd, 2014

Friday, June 20th, 2014

NADA Miami Announces Gallery List

Tuesday, September 17th, 2013

Fake social media profiles part of Dallas pension fund’s PR duel with Nasher Sculpture Center

Tuesday, July 30th, 2013

James Turrell Piece in Dallas Declared Destroyed By the Artist

Thursday, June 20th, 2013
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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