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Hirshhorn Museum Acquires Works by Ragnar Kjartansson, Shirin Neshat

Tuesday, September 12th, 2017

Shirin Neshat Profiled in FT

Saturday, April 25th, 2015

Shirin Neshat Working on Piece for Dutch National Ballet

Saturday, June 14th, 2014

New York: Shirin Neshat 'Book of Kings' at Gladstone Gallery through February 11, 2012

Sunday, February 5th, 2012

Artists Create Video Work for Planned Parenthood Campaign

Thursday, August 2nd, 2018

AO Preview – Venice Biennale Vernissage, May 10th – 13th, 2017

Monday, May 8th, 2017

The Guardian Interviews Iranian Artists Living and Working Abroad

Thursday, March 10th, 2016

Performa Announces New Leadership and Board of Directors

Thursday, February 25th, 2016

College Board Rewriting AP Art History Programming

Wednesday, February 3rd, 2016

Rauschenberg Foundation Announces Young Curators Competition

Tuesday, July 8th, 2014

Deitch Returns to NY with Street Art Exhibition

Wednesday, August 21st, 2013

AO On Site Photoset – New York: Creative Time Gala Honoring Julian Schnabel At Domino Sugar Factory, April 30th, 2013

Monday, May 6th, 2013

Paris – FIAC 39th International Contemporary Art Fair Week Preview: October 18th-21st, 2012

Wednesday, October 17th, 2012

AO On Site – The Watermill Center, The Big Bang, 19th Annual Summer Benefit, Saturday July 28, 2012

Thursday, August 2nd, 2012

AO Onsite – Basel: Art 43 Basel 2012 Set to Begin

Tuesday, June 12th, 2012

Art News – New York: Chuck Close and Kehinde Wiley collaborate With ShowMedia and Art Production Fund on Taxi Cab Adverts Through January

Monday, January 10th, 2011

AO on site – Final installment and news summary – Art Basel, Switzerland, sets attendance records, sets very positive tone, concludes

Monday, June 21st, 2010

Go See – New York: 'THE FEMALE GAZE: WOMEN LOOK AT WOMEN' featuring Roni Horn, Diane Arbus, Mickalene Thomas, Louise Bourgeois, Alice Neel, Marilyn Minter, Vanessa Beecroft, Jenny Holzer, Sarah Lucas, Catherine Opie, Kara Walker, Marina Abramovic, Cindy Sherman, Tracy Emin, Lisa Yuskavage, Nan Goldin, Marlene Dumas and more at Cheim & Read through September 19, 2009

Tuesday, August 4th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Peter Paul Rubens Work to Return to Antwerp for Research and Exhibition

August 15th, 2018

Peter Paul Rubens, The Massacre of the Innocents, via Art NewspaperPeter Paul Rubens’s The Massacre of the Innocents will travel to the Rubenshuis museum in Antwerp this fall from the Art Gallery of Ontario, Art Newspaper reports.  The painting, last sold in 2002 for £49.5 million, will be a part of research projects during its loan. “We can imagine with disbelief that he painted as much as he did within that relatively small space over a relatively short period of time… He establishes what is arguably the most productive artistic studio of all time to date in that space,” says Sasha Suda, the AGO’s curator of European art.
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Münster Draws Closer to Purchasing Nicole Eisenman Sculpture

August 15th, 2018

Nicole Eisenman, Sketch for a Fountain (2017). Photo: Henning RoggeNicole Eisenman and Anton Kern, have agreed to significantly reduce the price for the fountain sculpture requested by the City of Münster, putting the city’s fundraising efforts much closer to completion. “We wanted the bulk of the funding to come from Münster citizens,” says dealer Maria Galen, who has led the push for the sculpture. “But we have also applied to some foundations, and we don’t yet know what we will get. We are very confident.”
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Artist Withdraws Work from Anton Kern Show Following Criticism

August 15th, 2018

Ajay Kurian, via Art NewspaperArtist Jamie Isenstein has withdrawn her work from a summer group exhibition at Anton Kern Gallery following criticism of what some deem inadequate critique of racist subject matter.  The show, which aimed to address Peter Sellers’s film The Party (in which the lead actor wears brown face), drew criticism from artists Ajay Kurian and Vijay Masharani for failing to fully address the racist framework of the film.  “I realized that if I expect the show to address racism, I also have to address it. I should have thought longer about my assumption that other artists would do it for me,” Isenstein said.
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