Search Results

AO Preview – New York: Armory Week in New York City, March 4th – 10th, 2019

Sunday, March 3rd, 2019

AO On-Site – Los Angeles: Art Los Angeles Contemporary at Santa Monica Airport, February 13th – 17th, 2019

Thursday, February 14th, 2019

AO Preview – Los Angeles: Frieze Art Fair and LA Art Week, February 13th – 17th, 2019

Monday, February 11th, 2019

AO Preview – New York: The Armory Show Art Week, March 8th – 11th, 2018

Tuesday, March 6th, 2018

AO On-Site – Miami Beach: Untitled Art Fair, December 6th – 10th, 2017

Saturday, December 9th, 2017

AO Preview – London: Frieze London and London Art Week, October 4th – 8th, 2017

Tuesday, October 3rd, 2017
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Felix LA to Return with Expanded Gallery List

September 11th, 2019

Felix LA will return in 2020 with an expanded exhibitor list of 60 gallerists.  “We are thrilled to expand Felix’s community and welcome an incredible slate of new and returning exhibitors for the second edition,” founders Dean Valentine, Al Morán, and Mills Morán said in a statement. “The growth and diversification of our roster attests to the burgeoning Los Angeles art scene and the desperate need for the new type of art fair experience that Felix offered collectors and exhibitors alike.”
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Tate Modern Brings on International Curators

September 11th, 2019

Four departments at the Tate Modern have brought on new talent under the title Curator, International Art, signaling an expanded focus for the institution’s programming.  “Their significant experience and expertise will play an important part in expanding our knowledge of modern and contemporary art from Africa, South Asia, and the Middle East, furthering our ambition to present a truly international story of art through our program and collection,” says Frances Morris, Tate Modern’s director.
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Artist Nicholas Galanin on Pulling Work from Whitney Biennial

September 11th, 2019

Artist Nicholas Galanin has a piece in Art News this week as he discusses his decisions to pull work from this year’s Whitney Biennial.  “My decision to remove my work from the Whitney came when my hope for meaningful conversation was met with inaction—on the part of many but, most fatefully, by the museum, which for weeks and then months failed to issue any meaningful response to protests mounting within its walls,” he says. “For me, that inaction translated to complicity with militarized denial of the right of Indigenous people to freely move through land that we belong to.”
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