Search Results

New York – Kara Walker: “Sikkema Jenkins and Co. is Compelled to present The most Astounding and Important Painting show of the fall Art Show viewing season!” at Sikkema Jenkins Through October 14th, 2017

Saturday, October 14th, 2017

New York – Vik Muniz: “Album” at Sikkema Jenkins Co. Through May 10th, 2014

Monday, May 5th, 2014

AO On Site – New York: Opening of Vik Muniz at Sikkema Jenkins & Co. through October 15, 2011

Friday, September 23rd, 2011

Don’t miss – New York: Kara Walker, “Dust Jackets for the Niggerati—and Supporting Dissertations, Drawings submitted ruefully by Dr. Kara E. Walker.” at Sikkema Jenkins & Co. Through June 4th, 2011

Friday, May 27th, 2011

Sikkema Jenkins and Company

Wednesday, December 10th, 2008

Go See: Vik Muniz’s ‘Verso’ exhibiting at Sikkema Jenins & Co., New York until Oct 11

Sunday, September 7th, 2008

AO On-Site – Miami Beach: Art Basel Miami Beach at the Miami Beach Convention Center, December 7th – 10th, 2017

Friday, December 8th, 2017

New York – Mark Bradford: “Be Strong Boquan” at Hauser & Wirth Through December 23rd, 2015

Tuesday, December 22nd, 2015

AO Onsite – Basel: Art 43 Basel 2012 Set to Begin

Tuesday, June 12th, 2012

AO On Site Photoset – New York: Frieze Art Fair Summary at Randall’s Island Park, May 4-7, 2012

Thursday, May 10th, 2012

AO On Site with Photoset – New York: Frieze Art Fair on Randall’s Island, MAY 4–7, 2012

Friday, May 4th, 2012

AO On Site – New York: Kara Walker “Fall Frum Grace, Miss Pipi’s Blue Tale” at Lehmann Maupin through June 4, 2011

Saturday, April 23rd, 2011

AO On Site with Photo Essay: 2009 New York Armory Show and Armory Modern, plus opening party at MoMA with Gang Gang Dance

Saturday, March 7th, 2009

GO SEE: Othoniel at Galerie Emmanuel Perrotin, Miami March 8-April 5

Saturday, March 8th, 2008

Galleries

Thursday, December 27th, 2007

Gallery openings this weekend

Thursday, October 18th, 2007

Go See: Wolfgang Tillmans "Strings" at Galerie Chantal Crousel in Paris, September 13 through October 25, 2008

Thursday, September 18th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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