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AO Auction Preview – London: Impressionist and Modern Evening Sale, June 19th – 20th, 2018

Tuesday, June 19th, 2018

AO Auction Results – New York: Post-War and Contemporary Evening Sales, May 16th and 17th, 2018

Friday, May 18th, 2018

AO Auction Results – New York: Christie’s Impressionist and Modern Sale, May 15th, 2018

Wednesday, May 16th, 2018

AO Auction Results – New York: Sotheby’s Impressionist and Modern Evening Sale, May 14th, 2018

Tuesday, May 15th, 2018

AO Auction Preview – New York: Auction Week in New York City, May 8th-9th, 14 – 17th, 2018

Tuesday, May 8th, 2018

NYT Reports on Dispute Over Price Basquiat at Sotheby’s

Saturday, May 5th, 2018

NYT Profiles Sotheby’s Scientific Research Department

Thursday, May 3rd, 2018

Art Market Monitor Spotlights Strong Modernist Market in Coming Sales

Thursday, May 3rd, 2018

Jacob Ochtervelt Painting Formerly Looted by Nazis to Go to Auction at Sotheby’s

Thursday, May 3rd, 2018

David Hockney Work Looks to Top Record at Sotheby’s New York Next Week

Thursday, May 3rd, 2018

Sotheby’s to Reset Modigliani Auction Record with Massive $150 Million Estimate this May

Tuesday, April 24th, 2018

NYT Spotlights Continued Growth for Private Sales

Wednesday, April 18th, 2018

Pablo Picasso Works Test Developing Market in Asia

Saturday, March 31st, 2018

$30 Million Pollock at Sotheby’s for May Sale in New York

Friday, March 30th, 2018

AO Auction Results – London: Phillips 20th Century and Contemporary Evening Sale, March 8th, 2018

Saturday, March 10th, 2018

AO Auction Results – London: Sotheby’s Contemporary Sale, March 7th, 2018

Thursday, March 8th, 2018

Pablo Picasso’s ‘Le Repos’ Heads to Sotheby’s New York This May

Wednesday, March 7th, 2018

AO Auction Results – London: Christie’s Post-War and Contemporary Evening Sale, March 6th, 2018

Wednesday, March 7th, 2018

AO Auction Results – London: Sotheby’s Impressionist and Modern Evening Sale, February 28th, 2018

Thursday, March 1st, 2018

AO Auction Recap – London: Christie’s Impressionist and Modern Evening Sale, February 27th, 2018

Thursday, March 1st, 2018

AO Auction Previews – Impressionist/Modern and Post-War Evening Sales in London, February 27th – March 8th, 2018

Sunday, February 25th, 2018

Sotheby’s Sues Collector Over Unpaid Bill on Haring Masterpiece

Friday, February 9th, 2018

Sotheby’s Leads Spring Sales in London with £14 Million Picasso

Tuesday, February 6th, 2018

AO Auction Results – New York: Phillips 20th Century and Contemporary Evening Sale, November 16th, 2017

Thursday, November 16th, 2017
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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