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Artists Tim Noble and Sue Webster End Their Marriage But Continue Their Work Together

Sunday, January 6th, 2013

London – “Tim Noble and Sue Webster: Nihilistic Optimistic” at Blain Southern, through November 24th, 2012

Wednesday, October 10th, 2012

Go See – Berlin: Tim Noble and Sue Webster “Turning the Seventh Corner” at Blain|Southern through July 16th, 2011

Tuesday, May 3rd, 2011

Tim Noble and Sue Webster

Tuesday, November 25th, 2008

London – Miroslaw Balka: “DIE TRAUMDEUTUNG 75,32m AMSL” at The Freud Museum Through May 25th, 2014 and “DIE TRAUMDEUTUNG 25,31m AMSL” at White Cube Through May 31st, 2014

Sunday, May 25th, 2014

Frieze London: Art Fair Preview, Schedule and News Summary, October 11th-14th, 2012

Monday, October 8th, 2012

London: “The Art of Chess” at Saatchi Gallery Through October 3rd

Wednesday, September 19th, 2012

AO On Site – New York: The Armory Show Summary at Piers 92 & 94, March 8–11, 2012

Tuesday, March 13th, 2012

AO On Site – New York: The Armory Show at Piers 94 & 92, March 8-11, 2012

Thursday, March 8th, 2012

Living Artists

Thursday, July 7th, 2011

AO ON SITE – Art Basel Miami Beach 2010: Inside the Art Collection of the Soho Beach House, Miami Beach, December 4th, 2010

Monday, December 6th, 2010

Go See – New York: ‘Skin Fruit: Selections from the Dakis Joannou Collection’ at The New Museum through June 6, 2010

Monday, May 3rd, 2010

Go See: A Certain State of The World? Highlights from the François Pinault Foundation Collection, at The Garage Center for Contemporary Culture, Moscow, through June 14, 2009

Sunday, April 5th, 2009

Dakis Joannou

Sunday, November 23rd, 2008

Go See: 'Statuephilia' at The British Museum today through January 25th

Saturday, October 4th, 2008

AO On Site: More Bucks Than Bang at the Armory Show 2008

Friday, March 28th, 2008

Dakis Joannou

Tuesday, December 25th, 2007

AO On-Site – Mexico City: Zona Maco at Centro Citibanamex, February 7th – 11th, 2018

Friday, February 9th, 2018

New York – “EXPO 1″ at MoMA PS1 Through September 2nd, 2013

Monday, July 15th, 2013

New Phillips de Pury Howick Place Opening Early 2008

Tuesday, September 4th, 2007
Global contemporary art events and news observed from New York City. Suggestion? Email us.

ICA Philadelphia Gets W.A.G.E. Certification

March 23rd, 2018

ICA Philly, via Art NewsThe ICA Philadelphia will be the first museum certified by Working Artists and the Greater Economy (W.A.G.E.), a New York-based organization pushing for sustainable economic relationships between artists and exhibiting institutions. “Our partnership with W.A.G.E. helps to set a new standard in the museum field, one that ensures equitable environments for the artists with whom we work,” director, Amy Sadao, said in a statement.“We’re proud to be the first museum to join this diverse group of arts and culture institutions across the U.S. who are certified, and hope that it will encourage other museums to do the same.”
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Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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