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Artists Tim Noble and Sue Webster End Their Marriage But Continue Their Work Together

Sunday, January 6th, 2013

London – “Tim Noble and Sue Webster: Nihilistic Optimistic” at Blain Southern, through November 24th, 2012

Wednesday, October 10th, 2012

Go See – Berlin: Tim Noble and Sue Webster “Turning the Seventh Corner” at Blain|Southern through July 16th, 2011

Tuesday, May 3rd, 2011

Tim Noble and Sue Webster

Tuesday, November 25th, 2008

London – Miroslaw Balka: “DIE TRAUMDEUTUNG 75,32m AMSL” at The Freud Museum Through May 25th, 2014 and “DIE TRAUMDEUTUNG 25,31m AMSL” at White Cube Through May 31st, 2014

Sunday, May 25th, 2014

Frieze London: Art Fair Preview, Schedule and News Summary, October 11th-14th, 2012

Monday, October 8th, 2012

London: “The Art of Chess” at Saatchi Gallery Through October 3rd

Wednesday, September 19th, 2012

AO On Site – New York: The Armory Show Summary at Piers 92 & 94, March 8–11, 2012

Tuesday, March 13th, 2012

AO On Site – New York: The Armory Show at Piers 94 & 92, March 8-11, 2012

Thursday, March 8th, 2012

Living Artists

Thursday, July 7th, 2011

AO ON SITE – Art Basel Miami Beach 2010: Inside the Art Collection of the Soho Beach House, Miami Beach, December 4th, 2010

Monday, December 6th, 2010

Go See – New York: ‘Skin Fruit: Selections from the Dakis Joannou Collection’ at The New Museum through June 6, 2010

Monday, May 3rd, 2010

Go See: A Certain State of The World? Highlights from the François Pinault Foundation Collection, at The Garage Center for Contemporary Culture, Moscow, through June 14, 2009

Sunday, April 5th, 2009

Dakis Joannou

Sunday, November 23rd, 2008

Go See: 'Statuephilia' at The British Museum today through January 25th

Saturday, October 4th, 2008

AO On Site: More Bucks Than Bang at the Armory Show 2008

Friday, March 28th, 2008

Dakis Joannou

Tuesday, December 25th, 2007

AO On-Site – Mexico City: Zona Maco at Centro Citibanamex, February 7th – 11th, 2018

Friday, February 9th, 2018

New York – “EXPO 1″ at MoMA PS1 Through September 2nd, 2013

Monday, July 15th, 2013

New Phillips de Pury Howick Place Opening Early 2008

Tuesday, September 4th, 2007
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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