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Paula Cooper Gallery to Represent Estate of Terry Adkins

Tuesday, October 19th, 2021

New York — Terry Adkins: “The Smooth, The Cut, and The Assembled” at Lévy Gorvy Through February 17th, 2018

Saturday, February 3rd, 2018

New York – Jason Moran: “STAGED” at Luhring Augustine Through July 29th, 2016

Sunday, July 24th, 2016

AO On-Site – Venice: “All the World’s Futures” – The 56th Venice Biennale at The Arsenale Through November 22nd, 2015

Wednesday, May 6th, 2015

Jeanne Greenberg Rohatyn Profiled in New York Times

Monday, December 2nd, 2013

AO Fair Photoset and Recap – London: Frieze Artfair at Regent’s Park, October 17th-20th, 2013

Sunday, October 20th, 2013

Venice Biennale Tops 500,000 Attendance Figure

Friday, November 27th, 2015
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Michelangelo Sketch Sells for $24 Million in Paris

May 19th, 2022

A recently unearthed Michelangelo sketch, considered to be the artist’s first nude, has sold  at Christie’s Paris for a record 23 million euros ($24 million). “Michelangelo has decided to make the figure into something that corresponded more to his aesthetic by making him much more robust and monumental, while at the same time keeping the fragility of the figure, who is exposed and shivering” as he awaits baptism,” says Christie’s Old Masters expert Stijn Alsteens.
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Basquiat Work Sells for $85 Million at Phillips $224.9 Million Night

May 19th, 2022

The Jean-Michel Basquiat work from the collection of Japanese billionaire Yusaku Maezawa had a strong return to auction last night at Phillips, where it achieved $85 Million, part of a total sale of  $224.9 million, the highest in the company’s history. 
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Independent Art Fair to Launch New Fair Around 20th Century Work

May 17th, 2022

The Independent Art Fair will launch a new fair in September this year that will focus on 20th Century Works. “Over the years, there has been a shift, with next-generation dealers showing a more diverse group of artists and territories, geographically, socially, politically,” says Independent director Elizabeth Dee. “They are looking forward and looking back, saying, ‘We need to have a canon that looks like our program.’”
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