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AO On Site at the 54th Venice Biennale 2011: Dasha Zukhova and The Garage Center for Contemporary Culture presents “Commercial Break” curated by Neville Wakefield

Monday, June 6th, 2011

Don’t Miss – Moscow: “New York Minute” curated by Kathy Grayson at The Garage Center for Contemporary Culture through June 5th, 2011

Sunday, May 29th, 2011

Go See – Moscow: Mark Rothko – Into the Unknown World, The Garage Center for Contemporary Culture on view until August 14, 2010

Thursday, April 29th, 2010

Go See: A Certain State of The World? Highlights from the François Pinault Foundation Collection, at The Garage Center for Contemporary Culture, Moscow, through June 14, 2009

Sunday, April 5th, 2009

Moscow: John Baldessari: “1+1=1” at Garage Center for Contemporary Culture Through November 24th 2013

Saturday, November 23rd, 2013

Go See – Moscow: James Turrell at Garage Center for Contemporary Culture through August 21st, 2011

Friday, August 5th, 2011

Garage Magazine Brings John Baldessari Together with Inez and Vinoodh for Cover Art

Monday, September 2nd, 2013

Go See – Moscow: ANTONY GORMLEY ‘DOMAIN FIELD’ at the Garage Centre for Contemporary Culture, through September 2, 2009

Monday, August 10th, 2009

London – Nathalie Djurberg & Hans Berg: “The Gates of the Festival” at Lisson Gallery Through November 1st, 2014

Wednesday, October 29th, 2014

AO On Site at the 54th Venice Biennale 2011: Final Overview and News Summary

Monday, June 6th, 2011

AO On Site Preview and Summary: 54th Venice Biennale 2011 Begins This Week

Monday, May 30th, 2011

Greenwich, CT – Rob Pruitt: “50th Birthday Bash” at The Brant Foundation Through September, 2015

Friday, June 26th, 2015

AO On Site New York – Bjarne Melgaard: “A New Novel” at Luxembourg & Dayan through December 22nd, 2012

Monday, November 12th, 2012

AO Newslink

Friday, June 1st, 2012

AO Newslink

Friday, April 27th, 2012

AO News Summary – Russian Billionaire Roman Abramovich buys St. Petersburg Island for Art Collection/Museum

Thursday, December 9th, 2010

Go See – London: Subodh Gupta “School” at Hauser & Wirth, Old Bond Street February 23 through March 27, 2010

Sunday, March 7th, 2010

Go See – London: Raymond Pettibon at Sadie Coles HQ through January 9, 2010

Thursday, December 31st, 2009

Newslinks for Tuesday October 20th, 2009

Tuesday, October 20th, 2009

Go See – East Hampton: Agathe Snow “Terrestrial Forms” at The Fireplace Project, through August 31, 2009 with interview Firplace Foundation founder, Edsel Williams

Friday, August 21st, 2009

Newslinks for Saturday, July 4th, 2009

Saturday, July 4th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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