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New York – Thomas Schütte: “Frauen” at Skarstedt Through December 17th, 2016

Friday, December 16th, 2016

Basel: Thomas Schütte at Fondation Beyeler, through February 2nd 2014

Sunday, December 22nd, 2013

AO Auction Results – London: Christie’s Post-War and Contemporary Evening Sale, March 7th, 2017

Tuesday, March 7th, 2017

Stefan Simchowitz Bought Aggressively at Christie’s Last Evening

Saturday, October 8th, 2016

AO Auction Recap – London: Christie’s Post-War and Contemporary Evening Sales, October 6th, 2016

Friday, October 7th, 2016

AO Auction Recap – London: Phillips 20th Century and Contemporary Evening Sale, October 5th, 2016

Wednesday, October 5th, 2016

AO Auction Preview – London Contemporary and Post-War Evening Sales, October 5th – 7th, 2016

Monday, October 3rd, 2016

Frieze Announces List of Artists for London Sculpture Park

Friday, September 19th, 2014

AO On Site Fair Recap: Art Basel 2014, June 19th-22nd, 2014

Sunday, June 22nd, 2014

AO – Auction Recap: “If I Live I’ll See You Tuesday” at Christie’s, Monday, May 12th, 2014

Tuesday, May 13th, 2014

AO on site Photoset – Paris: FIAC Press Preview, October 23rd, 2013

Thursday, October 24th, 2013

Auction Recap: Phillips Contemporary Art Evening Sale, London, October 16th, 2013

Thursday, October 17th, 2013

London – “From Figuration” at Skarstedt Gallery Through March 23rd, 2013

Friday, March 22nd, 2013

AO On Site – London: Frieze London and Frieze Masters Summary and photoset, October 14th, 2012

Sunday, October 14th, 2012

AO On Site – New York: Public Art Fund’s “Common Ground” Installation at City Hall Park, on view until Nov 30, 2012

Thursday, July 5th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Frances Stark Profiled in The Guardian

April 25th, 2017

Frances Stark, via GuardianFrances Stark is profiled in The Guardian this week, in which she discusses the state of the contemporary art world, and her recent work orchestrating a version of the Magic Flute for a group of student performers.  “One of the reasons I got really enamored with the Magic Flute,” Stark says, “is that I watched the Ingmar Bergman version with my son, when he was four or five. He was too young to read the subtitles, so I read them to him. When the movie was over – and this is a long opera – he said, ‘Can we watch it again?’” 
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Robert Rauschenberg Profiled in New York Review of Books

April 25th, 2017

Robert Rauschenberg: Persimmon, 1964; from Rauschenberg’s series of oil and silkscreen-ink print paintings in which, Jed Perl writes, ‘photographs of President Kennedy, crowded city streets, space travel, and a nude by Rubens come together to sThe New York Review of books has a lengthy profile on Robert Rauschenberg this week, as the artist’s landmark retrospective prepares to open at MoMA next month.  “I tend to see everything.” Rauschenberg once said, “I always wanted my work—whatever happened in the studio—to look more like what was going on outside the window.”
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Artist Banks Violette Interviewed in NYT

April 25th, 2017

Banks Violette, via NYTThe New York Times has a profile on Banks Violette, an artist who helped define the aesthetics of New York’s downtown art scene during the 2000’s, and who is currently preparing for a return to the art world with a show upcoming at Gladstone Gallery.  The piece traces the artist’s struggles with addiction, and the challenges of being immensely successful at such a young age.  “A lot of it was just being young, being in New York, suddenly having a bunch of attention, suddenly having packed openings, not being able to sleep and working 24 hours a day,” he says. “It wasn’t really even fun. It was more, ‘Hey, we’re super freaked out, let’s get high.’ ”
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