Search Results

New York – Tim Rollins and K.O.S.: “Workshop” at Lehmann Maupin Through June 15th, 2019

Tuesday, May 28th, 2019

Go See – Los Angeles: Pacific Standard Time, October 2011 through March 2012

Tuesday, October 11th, 2011

Lehmann Maupin to Stage Show for Studio K.O.S.

Thursday, March 21st, 2019

AO On-Site – New York: Frieze New York at Randall’s Island, May 3rd – 6th, 2018

Friday, May 4th, 2018

AO On Site: “Friends with Benefits” at Lehmann Maupin through August 10, 2012

Friday, August 10th, 2012

Sunday, January 29th, 2012

AO On Site – Los Angeles: Scott Campbell’s ‘Nobless Oblige’ opening at OHWOW, Saturday, March 19 through April 22, 2011

Sunday, March 20th, 2011

Damien Hirst to reinstate representation with Parisian gallerist Emmanuel Perrotin

Saturday, November 8th, 2008

Go See: Raymond Pettibon “Part I: Seminal Early Works 1978-88″ at Regen Projects, Los Angeles through October 18

Saturday, September 27th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Protest Takes Place on Met Steps

October 15th, 2019

A massive crowd of protestors descended on the steps of The Met yesterday, part of a protest against Columbus Day. “I want to remind you that this was not brought to you by the Met,”says Amin Husain, a member of Decolonize This Place. “This was brought to you by the comrades who came together to say Columbus Day is a sham.”
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Gavin Turk Profiled in The Guardian

October 15th, 2019

Gavin Turk gets a profile in The Guardian, discussing his recent activism and protest, and how he sees the art world unfolding in the face of climate crisis.   “Art is bound to get caught up in what’s happening in the wider world,” he says. 
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Nayland Blake Gives NYT Tour of Their Flatbush Apartment

October 15th, 2019

Nayland Blake gives the NYT a tour of their Flatbush apartment, showcasing work from fellow queer artists and the clutters of material and work that adorn their one bedroom space. “The only way that queer or marginalized cultures survive is through somebody loving them and somebody acting as the curator of their own museum,” Blake says. “That kind of intimate culture is just as valid as the high cultures that museums often traffic.”
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