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New York – Tim Rollins and K.O.S.: “Workshop” at Lehmann Maupin Through June 15th, 2019

Tuesday, May 28th, 2019

Go See – Los Angeles: Pacific Standard Time, October 2011 through March 2012

Tuesday, October 11th, 2011

Lehmann Maupin to Stage Show for Studio K.O.S.

Thursday, March 21st, 2019

AO On-Site – New York: Frieze New York at Randall’s Island, May 3rd – 6th, 2018

Friday, May 4th, 2018

AO On Site: “Friends with Benefits” at Lehmann Maupin through August 10, 2012

Friday, August 10th, 2012

Sunday, January 29th, 2012

AO On Site – Los Angeles: Scott Campbell’s ‘Nobless Oblige’ opening at OHWOW, Saturday, March 19 through April 22, 2011

Sunday, March 20th, 2011

Damien Hirst to reinstate representation with Parisian gallerist Emmanuel Perrotin

Saturday, November 8th, 2008

Go See: Raymond Pettibon “Part I: Seminal Early Works 1978-88″ at Regen Projects, Los Angeles through October 18

Saturday, September 27th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Jail for Spanish Forger Who Attempted Sale of 15 Fake Works

February 21st, 2023

A Spanish court has sentenced an art collector to prison for selling a set of fake works, including a series of forged works attributed to Edvard Munch and Roy Lichtenstein.
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The Guardian Interviews Former Subjects of Painter Alice Neel

February 21st, 2023

The Guardian has a piece this week on what it was like to be painted by Alice Neel. “One day Alice said she wanted to paint me and to bring some things I could wear, so I packed a little suitcase and had various costumes,” says artist and sex activist Annie Sprinkle. “I’d just had my labia pierced and I was showing it off, and she really wanted to see that. She picked a leather outfit and I put a feather in my hair.”
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Alice Walton’s Art Bridges Foundation Behind $4.5 Million Robert Colescott Buy

February 21st, 2023

Alice Walton’s Art Bridges Foundation is apparently behind the $4.5 million purchase of a Robert Colescott at Bonhams this month. “This work in particular presents a hopeful and powerful message, and we are pleased that it resonated so strongly with individuals and institutions alike,” says Ralph Taylor, Bonhams’s global head for postwar and contemporary art.
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