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New York – Tony Oursler at Lehmann Maupin, Through June 14th, 2015

Thursday, June 11th, 2015

David Bowie Releases New Video With Tony Oursler

Tuesday, January 8th, 2013

AO On Site (with Video) – New York: Tony Oursler “Peak” at Lehmann Maupin through December 5, 2010

Saturday, November 6th, 2010

Go See – Brussels: Tony Oursler at Baronian Francey through January 9 2010

Monday, December 14th, 2009

Go See: Tony Oursler’s ‘Cell Phones Diagrams Cigarettes Searches and Scratch Cards’ at Metro Pictures New York, through April 11TH, 2009

Wednesday, March 11th, 2009

Go See: “High” by Tony Oursler at Lisson Gallery London, Sept 3 – Oct 3

Tuesday, September 9th, 2008

Basel – AO On-Site: Art Basel Art Fair, June 16th – 19th, 2016

Tuesday, June 14th, 2016

AO On Site – New York: Frieze New York Art Fair on Randall’s Island May 14th-17th, 2015

Saturday, May 16th, 2015

AO Preview – Hong Kong: Art Basel Hong Kong, March 15th-17th, 2015

Saturday, March 14th, 2015

New York – Jim Shaw: “I Only Wanted You to Love Me” at Metro Pictures Through October 25th, 2014

Friday, October 24th, 2014

Gateshead – Jim Shaw: “The Rinse Cycle” at the Baltic Centre for Contemporary Art through February 17, 2013

Thursday, February 7th, 2013

New York – AO On Site: The Whitney Museum of American Art Annual Gala and Studio Party, Tuesday, December 11th, 2012

Sunday, December 16th, 2012

AO On Site: “Friends with Benefits” at Lehmann Maupin through August 10, 2012

Friday, August 10th, 2012

AO Onsite – Basel: Art 43 Basel 2012 Set to Begin

Tuesday, June 12th, 2012

AO On Site – New York: The Armory Show Summary at Piers 92 & 94, March 8–11, 2012

Tuesday, March 13th, 2012

Thursday, February 23rd, 2012

Living Artists

Thursday, July 7th, 2011

AO On Site at the 54th Venice Biennale 2011: Dasha Zukhova and The Garage Center for Contemporary Culture presents “Commercial Break” curated by Neville Wakefield

Monday, June 6th, 2011

AO On Site – “All That is Unseen” Group Show with performance by Mirror, Mirror at Allan Nederpelt, Greenpoint, Brooklyn, New York, Friday February 18th, 2011 (Update: Video)

Monday, March 7th, 2011

AO On Site – “All That is Unseen” Group Show with performance by Mirror, Mirror at Allan Nederpelt, Greenpoint, Brooklyn, New York, Friday February 18th, 2011

Thursday, February 24th, 2011

Go See – New York: 'Off the Wall: Part One, Thirty Performative Actions' at the Whitney Museum of American Art, through September 19th, 2010

Tuesday, July 20th, 2010

Go See – New York: Banks Violette at Gladstone Gallery through April 17, 2010

Friday, April 2nd, 2010

Go See – London: ‘BOULE TO BRAID’ at Lisson Gallery Through August 15, 2009

Sunday, July 19th, 2009

AO On Site Photoset/Video/News Wrapup: Art Basel Miami Beach Survives in 2008

Wednesday, December 10th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.

ICA Philadelphia Gets W.A.G.E. Certification

March 23rd, 2018

ICA Philly, via Art NewsThe ICA Philadelphia will be the first museum certified by Working Artists and the Greater Economy (W.A.G.E.), a New York-based organization pushing for sustainable economic relationships between artists and exhibiting institutions. “Our partnership with W.A.G.E. helps to set a new standard in the museum field, one that ensures equitable environments for the artists with whom we work,” director, Amy Sadao, said in a statement.“We’re proud to be the first museum to join this diverse group of arts and culture institutions across the U.S. who are certified, and hope that it will encourage other museums to do the same.”
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Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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