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Tracey Emin Interviewed Over New Project in Sydney

Tuesday, March 20th, 2018

Tracey Emin Profiled in The Times

Wednesday, March 14th, 2018

Tracey Emin Reflects on the Works of Egon Schiele in The Guardian

Friday, June 16th, 2017

Tracey Emin Interviewed in GQ

Wednesday, May 31st, 2017

Tracey Emin and Lehmann Maupin Part Ways

Monday, May 8th, 2017

National Portrait Gallery Acquires Tracey Emin’s ‘Death Mask’

Saturday, April 15th, 2017

Tracey Emin Funds Scholarship for Syrian Refugees

Wednesday, February 8th, 2017

Tracey Emin Scraps Demolition Plan for East London Building

Tuesday, December 13th, 2016

The Guardian Gets an Inside Look at the Installation of Tracey Emin’s ‘My Bed’

Friday, September 16th, 2016

New York — Tracey Emin: “Stone Love” at Lehmann Maupin Through June 18th, 2016

Saturday, June 4th, 2016

Tracey Emin on Her Recent Exhibition and Marrying a Stone

Tuesday, March 22nd, 2016

Tracey Emin’s “My Bed” Reinstalled at Tate Modern

Wednesday, April 1st, 2015

London – Tracey Emin: “The Last Great Adventure is You” at White Cube Bermondsey, through November 16th 2014

Thursday, November 13th, 2014

Tracey Emin Interview in The Guardian This Week

Monday, September 29th, 2014

Tracey Emin’s Bed Loaned to Tate Modern

Tuesday, July 29th, 2014

Tracey Emin’s “My Bed” Up for Sale at Christie’s This July

Wednesday, May 28th, 2014

Tracey Emin to Install Work at Las Vegas’s Cosmopolitan Casino

Saturday, April 5th, 2014

Tracey Emin Preps Show at MOCA North Miami

Monday, December 2nd, 2013

Tracey Emin and Sarah Lucas on Opening “The Shop”

Wednesday, August 14th, 2013

New York- Tracey Emin: “I Followed You to The Sun” at Lehmann Maupin through June 22nd, 2013

Monday, June 17th, 2013

Tracey Emin Interviewed in New York Times

Saturday, May 25th, 2013

Tracey Emin: “Critics Are Harsher Because I’m a Woman”

Sunday, May 19th, 2013

Tracey Emin Unveils “Roman Standard” at Petrosino Square

Friday, May 10th, 2013

Tracey Emin Designs Cover for Harper’s Bazaar

Sunday, March 10th, 2013
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Peter Paul Rubens Work to Return to Antwerp for Research and Exhibition

August 15th, 2018

Peter Paul Rubens, The Massacre of the Innocents, via Art NewspaperPeter Paul Rubens’s The Massacre of the Innocents will travel to the Rubenshuis museum in Antwerp this fall from the Art Gallery of Ontario, Art Newspaper reports.  The painting, last sold in 2002 for £49.5 million, will be a part of research projects during its loan. “We can imagine with disbelief that he painted as much as he did within that relatively small space over a relatively short period of time… He establishes what is arguably the most productive artistic studio of all time to date in that space,” says Sasha Suda, the AGO’s curator of European art.
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Münster Draws Closer to Purchasing Nicole Eisenman Sculpture

August 15th, 2018

Nicole Eisenman, Sketch for a Fountain (2017). Photo: Henning RoggeNicole Eisenman and Anton Kern, have agreed to significantly reduce the price for the fountain sculpture requested by the City of Münster, putting the city’s fundraising efforts much closer to completion. “We wanted the bulk of the funding to come from Münster citizens,” says dealer Maria Galen, who has led the push for the sculpture. “But we have also applied to some foundations, and we don’t yet know what we will get. We are very confident.”
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Artist Withdraws Work from Anton Kern Show Following Criticism

August 15th, 2018

Ajay Kurian, via Art NewspaperArtist Jamie Isenstein has withdrawn her work from a summer group exhibition at Anton Kern Gallery following criticism of what some deem inadequate critique of racist subject matter.  The show, which aimed to address Peter Sellers’s film The Party (in which the lead actor wears brown face), drew criticism from artists Ajay Kurian and Vijay Masharani for failing to fully address the racist framework of the film.  “I realized that if I expect the show to address racism, I also have to address it. I should have thought longer about my assumption that other artists would do it for me,” Isenstein said.
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