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Tracey Emin Reflects on the Works of Egon Schiele in The Guardian

Friday, June 16th, 2017

Tracey Emin Interviewed in GQ

Wednesday, May 31st, 2017

Tracey Emin and Lehmann Maupin Part Ways

Monday, May 8th, 2017

National Portrait Gallery Acquires Tracey Emin’s ‘Death Mask’

Saturday, April 15th, 2017

Tracey Emin Funds Scholarship for Syrian Refugees

Wednesday, February 8th, 2017

Tracey Emin Scraps Demolition Plan for East London Building

Tuesday, December 13th, 2016

The Guardian Gets an Inside Look at the Installation of Tracey Emin’s ‘My Bed’

Friday, September 16th, 2016

New York — Tracey Emin: “Stone Love” at Lehmann Maupin Through June 18th, 2016

Saturday, June 4th, 2016

Tracey Emin on Her Recent Exhibition and Marrying a Stone

Tuesday, March 22nd, 2016

Tracey Emin’s “My Bed” Reinstalled at Tate Modern

Wednesday, April 1st, 2015

London – Tracey Emin: “The Last Great Adventure is You” at White Cube Bermondsey, through November 16th 2014

Thursday, November 13th, 2014

Tracey Emin Interview in The Guardian This Week

Monday, September 29th, 2014

Tracey Emin’s Bed Loaned to Tate Modern

Tuesday, July 29th, 2014

Tracey Emin’s “My Bed” Up for Sale at Christie’s This July

Wednesday, May 28th, 2014

Tracey Emin to Install Work at Las Vegas’s Cosmopolitan Casino

Saturday, April 5th, 2014

Tracey Emin Preps Show at MOCA North Miami

Monday, December 2nd, 2013

Tracey Emin and Sarah Lucas on Opening “The Shop”

Wednesday, August 14th, 2013

New York- Tracey Emin: “I Followed You to The Sun” at Lehmann Maupin through June 22nd, 2013

Monday, June 17th, 2013

Tracey Emin Interviewed in New York Times

Saturday, May 25th, 2013

Tracey Emin: “Critics Are Harsher Because I’m a Woman”

Sunday, May 19th, 2013

Tracey Emin Unveils “Roman Standard” at Petrosino Square

Friday, May 10th, 2013

Tracey Emin Designs Cover for Harper’s Bazaar

Sunday, March 10th, 2013

Tracey Emin Receives CBE at Buckingham Palace

Sunday, March 10th, 2013

Rome – Tracey Emin – “You Saved Me” at Galleria Lorcan O’Neill through February 16th, 2013

Sunday, February 10th, 2013
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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New York — “Words Without Thoughts Never to Heaven Go” at Almine Rech Gallery Through December 16th, 2017

December 14th, 2017

Words Without Thoughts Never to Heaven Go (Installation View)
Words Without Thoughts Never to Heaven Go (Installation View)

Almine Rech Gallery, one of Paris’s foremost galleries, opened its first New York location more than a year ago on the Upper East Side, bringing with it a unique program that mixes a strong artist roster with a consistently adventurous curatorial project.  For its most recent venture, the gallery has brought together key figures from the canon of 20th century Western art for Words Without Thoughts Never to Heaven Go. Adapting its title from a line in Shakespeare’s Hamlet, the exhibition investigates ways artists use text as an allegorical element. Serving as a chronological and thematic starting point to the exhibition is Être ou ne pas être, Picasso’s 1912 painting considered as one of the foremost examples of appropriation of text in modern painting. Declaring “to be or not be” in French with gouache on paper, Picasso not only pays homage to one of the most emblematic texts ever written, but he also questions the mimetic essence of a painting. Can a painting of words serve to depict an image?
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Clearing Gallery Opens Shop Uptown

December 14th, 2017

Clearing Gallery's uptown space, via Art NewsClearing Gallery has opened a new space in New York City, setting up a second location at 43 East 78th Street. “We have private dealers, galleries, and museums around, so it’s a super location,” says gallery owner Olivier Babin. “As much as Bushwick is off the beaten path, this is in the center of everything. I mean, we’re across the street from the Carlyle!”
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American Collectors Rarely Sell Prized Works Once Purchased

December 13th, 2017

Christie's, via NY postA new study finds that few American art collectors sell their works once they have purchased them, the New York Post reports. “Collectors don’t apply the same principles to buying art that they would to a typical investment portfolio of stocks and bonds,” says John Mathews, head of private wealth management and ultra-high net worth at UBS Americas. “It is important, however, to institute management structures to ensure their legacy remains protected, correctly valued and insured.”
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