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Tracey Emin Interviewed Over New Project in Sydney

Tuesday, March 20th, 2018

Tracey Emin Profiled in The Times

Wednesday, March 14th, 2018

Tracey Emin Reflects on the Works of Egon Schiele in The Guardian

Friday, June 16th, 2017

Tracey Emin Interviewed in GQ

Wednesday, May 31st, 2017

Tracey Emin and Lehmann Maupin Part Ways

Monday, May 8th, 2017

National Portrait Gallery Acquires Tracey Emin’s ‘Death Mask’

Saturday, April 15th, 2017

Tracey Emin Funds Scholarship for Syrian Refugees

Wednesday, February 8th, 2017

Tracey Emin Scraps Demolition Plan for East London Building

Tuesday, December 13th, 2016

The Guardian Gets an Inside Look at the Installation of Tracey Emin’s ‘My Bed’

Friday, September 16th, 2016

New York — Tracey Emin: “Stone Love” at Lehmann Maupin Through June 18th, 2016

Saturday, June 4th, 2016

Tracey Emin on Her Recent Exhibition and Marrying a Stone

Tuesday, March 22nd, 2016

Tracey Emin’s “My Bed” Reinstalled at Tate Modern

Wednesday, April 1st, 2015

London – Tracey Emin: “The Last Great Adventure is You” at White Cube Bermondsey, through November 16th 2014

Thursday, November 13th, 2014

Tracey Emin Interview in The Guardian This Week

Monday, September 29th, 2014

Tracey Emin’s Bed Loaned to Tate Modern

Tuesday, July 29th, 2014

Tracey Emin’s “My Bed” Up for Sale at Christie’s This July

Wednesday, May 28th, 2014

Tracey Emin to Install Work at Las Vegas’s Cosmopolitan Casino

Saturday, April 5th, 2014

Tracey Emin Preps Show at MOCA North Miami

Monday, December 2nd, 2013

Tracey Emin and Sarah Lucas on Opening “The Shop”

Wednesday, August 14th, 2013

New York- Tracey Emin: “I Followed You to The Sun” at Lehmann Maupin through June 22nd, 2013

Monday, June 17th, 2013

Tracey Emin Interviewed in New York Times

Saturday, May 25th, 2013

Tracey Emin: “Critics Are Harsher Because I’m a Woman”

Sunday, May 19th, 2013

Tracey Emin Unveils “Roman Standard” at Petrosino Square

Friday, May 10th, 2013

Tracey Emin Designs Cover for Harper’s Bazaar

Sunday, March 10th, 2013
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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NYT Notes Generation Gap in Online Art Sales

June 9th, 2020

As art sales go online, the NYT notes an increasing generation gap, with older buyers tapering off their purchases and younger buyers continuing to collect. “The resistance from older collectors is still there,” says Anders Petterson, founder of analytics firm ArtTactic.  “When there is no physical art world, how do you substitute that experience?” he added. “Younger people are a lot quicker to adapt.”
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Unrest Over Killing of George Floyd Forces Museums to Address Institutionalized Racism

June 9th, 2020

A piece in the New York Times charts pressure on institutions to address problems of systemic racism and injustice in their organizations, collections and programs, following the social unrest caused by the killing of George Floyd at the hands of the police.  “I do not think art museums have done enough,” says Chris Anagnos, executive director of the Association of Art Museum Directors. “We have dabbled around the edges of the work, but in our place of privilege we will never live up to the statement that ‘museums are for everyone’ unless we begin to confront, examine and dismantle the various structures that brought us to this point.”
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Art Basel Cancelled

June 9th, 2020

Art Basel has completely cancelled the 2020 edition of its fair in the Swiss town, after an attempt to move the fair’s dates to September.  “While there are signs of hope as individual countries are coming out of lockdown, the global situation remains precarious, and, unfortunately, too many uncertainties remain to go ahead with the fair,” the organization said in a statement. “These include the health risks posed by large gatherings, the limitations on intercontinental travel, and the unclear Swiss regulatory environment for shows of Art Basel’s size. Given these uncertainties, we believe that the best option concerning the Basel show is to focus on next year’s edition and delivering a fair of the exceptional international quality that the artworld expects.”
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