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Venice – Chris Ofili: “Poolside Magic” at Victoria Miro Through July 1st, 2017

Wednesday, May 10th, 2017

London— Njideka Akunyili Crosby: “Portals” at Victoria Miro Through November 5th, 2016

Sunday, November 6th, 2016

London – Yayoi Kusama at Victoria Miro through July 30, 2016

Monday, June 27th, 2016

London- Sarah Sze at Victoria Miro through March 28, 2015

Friday, March 6th, 2015

London – Francesca Woodman: “Zigzag” at Victoria Miro Through October 4th, 2014

Saturday, September 27th, 2014

London – Yayoi Kusama: “White Infinity Nets” at Victoria Miro, through November 16th 2013

Sunday, November 10th, 2013

Victoria Miro Interviewed in Financial Times

Sunday, September 29th, 2013

London – “Chris Ofili: To Take and To Give” at Victoria Miro, Through November 10th, 2012

Tuesday, November 6th, 2012

London – Elmgreen & Dragset: “Harvest” at Victoria Miro, Through November 10th, 2012

Sunday, October 14th, 2012

Go See – London: “New Paintings and Sculptures” by Yayoi Kusa at Victoria Miro through July 29th, 2011

Monday, July 25th, 2011

Go See – London: Alice Neel “Men Only” at Victoria Miro Gallery through July 29th, 2011

Sunday, July 17th, 2011

Go See – London: "In the Company of Alice" at Victoria Miro Gallery through July 30th, 2010

Saturday, June 26th, 2010

London – Elmgreen and Dragset: “Tomorrow” at The Victoria and Albert Museum Through January 2nd, 2014

Thursday, January 2nd, 2014

AO On-Site – London: Frieze Art Fair, October 5th – 8th, 2017

Saturday, October 7th, 2017

AO Preview – Venice Biennale Vernissage, May 10th – 13th, 2017

Monday, May 8th, 2017

AO On-Site – New York: Frieze New York, May 4th – 7th, 2017

Sunday, May 7th, 2017

AO On-Site – New York: Frieze New York Art Fair at Randall’s Island, May 5th – 8th, 2017

Friday, May 5th, 2017

AO On-Site – New York: The Armory Show, March 1st – 5th, 2017

Thursday, March 2nd, 2017

AO Preview – New York: Armory Week in New York, February 28th – March 5th, 2017

Tuesday, February 28th, 2017

Artist Njideka Akunyili Crosby Interviewed in FT Podcast

Wednesday, January 11th, 2017

AO On-Site – Paris: FIAC Art Fair at the Grand Palais, October 20-23rd, 2016

Thursday, October 20th, 2016

AO Preview – Frieze London Art Fair in Regent’s Park, October 6th – 9th, 2016

Monday, October 3rd, 2016

New York — Elmgreen & Dragset Interview on “Van Gogh’s Ear” at Rockefeller Center Through June 3rd, 2016

Tuesday, May 17th, 2016

AO Preview – Hong Kong: Art Basel Hong Kong at the Hong Kong Convention and Exhibition Center, March 22nd-26th, 2016

Monday, March 21st, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Sotheby’s to Reset Modigliani Auction Record with Massive $150 Million Estimate this May

April 24th, 2018

Modigliani, via Art NewsSotheby’s will set a new world auction record with Amedeo Modigliani’s Nu couché (sur le côté gauche) at this month’s Impressionist and Modern Sale in New York, with an estimate of more than $150 million. The figure is the highest estimate ever placed on a work of art, and has already been confirmed as a record breaker. “This painting reimagines the nude for the modern era,” says Simon Shaw, the co-head worldwide of Sotheby’s Impressionist and modern art department.
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NYT Spotlights Museums’ Efforts to Highlight Latinx Artists

April 24th, 2018

Clarissa Tossin, via NYTA piece in the New York Times this week notes the increased focus by museums towards Latinx artists.  “We’re at a really important point in history where plural curatorial voices can show not just a survey,” says Marcela Guerrero, who was recently hired as the Whitney’s first curator specializing in Latinx artists. “We can now go deeper and start unpacking what Latino art really is.”
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Anicka Yi Interviewed in Frieze

April 24th, 2018

Anicka Yi, via FriezeAnicka Yi is interviewed in Frieze this week, discussing her practice and what she sees as the next steps for women in the arts. “In general, I learned fairly early on that cisgender, straight-identifying females tend to not help other women,” she says of her early experience in the arts. “It’s not even a conscious malicious act, in most instances. It’s a deep conditioning that somehow distancing yourself from the perceived ‘weaker pack’, with all its attendant baggage, might advance your uniqueness as an individual, making you less prone to be judged as a ‘vulnerable woman’.”
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