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Sean Scully Featured in New York Times

Thursday, September 7th, 2017

New York: “Photo-Poetics: An Anthology” at The Guggenheim Museum Through March 23rd, 2016

Saturday, January 23rd, 2016

New York – Justine Kurland: “Sincere Auto Care” at Mitchell-Innes and Nash Through October 11th, 2014

Wednesday, October 1st, 2014

Don’t Miss – New York: Carl Andre, Jennifer Bartlett, Donald Judd, Sherrie Levine, Sol LeWitt and Robert Wilson in “Elemental” at Paula Cooper Gallery Through April 16th, 2011

Wednesday, April 13th, 2011

Go See – New York: ‘Leslie Hewitt: On Beauty, Objects, and Dissonance’ at the Kitchen on view through May 10th

Tuesday, May 4th, 2010

Don't Miss – Your History Is Not Our History at Haunch of Venison, New York through May 1, 2010

Monday, April 26th, 2010

Go see – Santa Monica: Barkley Hendricks “Birth of cool” through August 22, 2009

Wednesday, August 12th, 2009

AO On-Site – Mexico City: Zona Maco at Centro Citibanamex, February 7th – 11th, 2018

Friday, February 9th, 2018

Go See: Evan Penny at Sperone Westwater, New York, through February 14th, 2009

Tuesday, February 3rd, 2009

Newslinks for Wednesday August 20th 2008

Wednesday, August 20th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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