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London – Anselm Kiefer: “Walhalla” at White Cube Gallery Through February 12th, 2017

Wednesday, February 8th, 2017

London – Theaster Gates: “Freedom of Assembly” at White Cube Gallery Through July 5th, 2015

Thursday, July 2nd, 2015

Hong Kong – Elad Lassry at White Cube Gallery, Through February 8th 2013

Tuesday, February 5th, 2013

São Paulo – “Tracey Emin: I Don’t Believe in Love but I Believe in You” Inaugurates New White Cube Gallery In Brazil, Through February 23rd, 2013

Monday, December 10th, 2012

London: Gary Hume ‘The Indifferent Owl’ At White Cube Gallery through February 25, 2012

Tuesday, February 21st, 2012

Go See – London: Anselm Kiefer’s ‘Karfunkelfee and the Fertile Crescent’ the artist’s largest show in London to date, at the White Cube Gallery, through November 1st

Sunday, October 25th, 2009

Go See: ‘Texas Crude’ by Rosson Crow, at White Cube Gallery, Hoxton Road, London through February 21st, 2009

Thursday, January 29th, 2009

Don’t Miss: Sam Taylor-Wood, “Yes I No,” through November 29 at White Cube Gallery, Mason’s Yard, London

Saturday, November 22nd, 2008

Go See: Marc Quinn at White Cube Gallery in London

Sunday, January 27th, 2008

Former White Cube Director to Open Gallery in New York’s East Village

Tuesday, October 3rd, 2017

Breaking: Jay Jopling's London-based White Cube Announces Plans to Convert Massive Warehouse to New Gallery on Bermondsey Street, Southeast London

Friday, December 10th, 2010

London – Haim Steinbach: ‘jaws’ at White Cube Through January 20, 2018

Thursday, December 14th, 2017

New York – Ernesto Burgos: “One Thing After Another” at Kate Werble Gallery through May 6th, 2017

Wednesday, May 3rd, 2017

Ibid Gallery to Close Central London Location

Tuesday, March 28th, 2017

Jake and Dinos Chapman Leave White Cube for Blain|Southern

Wednesday, February 15th, 2017

Art Newspaper Profiles Hong Kong’s Empty Gallery

Monday, December 12th, 2016

New York – Sol LeWitt at Paula Cooper Gallery, in Conjunction with a Show of Works by LeWitt and Liz Deschenes, Through October 22nd, 2016

Wednesday, October 19th, 2016

London – “The world is yours, as well as ours” at White Cube Through September 17th, 2016

Saturday, September 3rd, 2016

Marc Quinn Parting with White Cube After More than 20 Years

Sunday, February 14th, 2016

New York – Sarah Meyohas at 303 Gallery Through January 30th, 2016

Thursday, January 28th, 2016

London – Gilbert & George: “THE BANNERS” at White Cube Through January 24th, 2016

Wednesday, January 13th, 2016

New York: Jeff Koons: “Gazing Ball Paintings” at Gagosian Gallery Through December 23rd, 2015

Wednesday, December 23rd, 2015

Almine Rech and White Cube Both Planning Spaces in New York

Thursday, December 10th, 2015

Gary Hume Parts Ways with White Cube

Tuesday, November 24th, 2015
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Grand Palais Unveils Plans for Massive Three-Year Renovation

February 19th, 2018

Grand Palais, via Art NewspaperPlans have been unveiled for the Grand Palais’s €466m, three-year renovation, Art Newspaper reports.  “At the end of 2020, just over a century after its creation, the Grand Palais will turn a page in its history and begin a transformation that will allow it to finally enter the 21st century,” culture secretary Françoise Nyssen says.
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Marina Abramovic Profiled in The Guardian

February 19th, 2018

Marina Abramovic, via The GuardianMarina Abramovic is interviewed in The Guardian this month, as she prepares to exhibit a series of photos documenting her early performances. “I lived in cars and trucks, I’m amazed the negatives survived,” Abramović says. “To appreciate the present, we should really look to the past.”
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Rauschenberg’s Duchamp “Bottle Rack” Goes to Chicago

February 19th, 2018

Marcel Duchamp, via Art NewsThe Art Institute of Chicago has unveiled its recent acquisition, a rare Duchamp Bottle Rack from the collection of Robert Rauschenberg.  The artist’s foundation sold the piece to the museum in order to fund an endowment. “We always are making these kind of transformative acquisitions a priority,” says Art Institute president and director James Rondeau. “There are documents going back to the late ’80s and early ’90s expressing a desire for an object like this.”
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