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London – Anselm Kiefer: “Walhalla” at White Cube Gallery Through February 12th, 2017

Wednesday, February 8th, 2017

London – Theaster Gates: “Freedom of Assembly” at White Cube Gallery Through July 5th, 2015

Thursday, July 2nd, 2015

Hong Kong – Elad Lassry at White Cube Gallery, Through February 8th 2013

Tuesday, February 5th, 2013

São Paulo – “Tracey Emin: I Don’t Believe in Love but I Believe in You” Inaugurates New White Cube Gallery In Brazil, Through February 23rd, 2013

Monday, December 10th, 2012

London: Gary Hume ‘The Indifferent Owl’ At White Cube Gallery through February 25, 2012

Tuesday, February 21st, 2012

Go See – London: Anselm Kiefer’s ‘Karfunkelfee and the Fertile Crescent’ the artist’s largest show in London to date, at the White Cube Gallery, through November 1st

Sunday, October 25th, 2009

Go See: ‘Texas Crude’ by Rosson Crow, at White Cube Gallery, Hoxton Road, London through February 21st, 2009

Thursday, January 29th, 2009

Don’t Miss: Sam Taylor-Wood, “Yes I No,” through November 29 at White Cube Gallery, Mason’s Yard, London

Saturday, November 22nd, 2008

Go See: Marc Quinn at White Cube Gallery in London

Sunday, January 27th, 2008

Former White Cube Director to Open Gallery in New York’s East Village

Tuesday, October 3rd, 2017

Breaking: Jay Jopling's London-based White Cube Announces Plans to Convert Massive Warehouse to New Gallery on Bermondsey Street, Southeast London

Friday, December 10th, 2010

New York – Ernesto Burgos: “One Thing After Another” at Kate Werble Gallery through May 6th, 2017

Wednesday, May 3rd, 2017

Ibid Gallery to Close Central London Location

Tuesday, March 28th, 2017

Jake and Dinos Chapman Leave White Cube for Blain|Southern

Wednesday, February 15th, 2017

Art Newspaper Profiles Hong Kong’s Empty Gallery

Monday, December 12th, 2016

New York – Sol LeWitt at Paula Cooper Gallery, in Conjunction with a Show of Works by LeWitt and Liz Deschenes, Through October 22nd, 2016

Wednesday, October 19th, 2016

London – “The world is yours, as well as ours” at White Cube Through September 17th, 2016

Saturday, September 3rd, 2016

Marc Quinn Parting with White Cube After More than 20 Years

Sunday, February 14th, 2016

New York – Sarah Meyohas at 303 Gallery Through January 30th, 2016

Thursday, January 28th, 2016

London – Gilbert & George: “THE BANNERS” at White Cube Through January 24th, 2016

Wednesday, January 13th, 2016

New York: Jeff Koons: “Gazing Ball Paintings” at Gagosian Gallery Through December 23rd, 2015

Wednesday, December 23rd, 2015

Almine Rech and White Cube Both Planning Spaces in New York

Thursday, December 10th, 2015

Gary Hume Parts Ways with White Cube

Tuesday, November 24th, 2015

WSJ Looks at Practice of Gallery “Waiting Lists”

Monday, November 2nd, 2015
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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