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William Kentridge to Open Production of “Wozzeck” at Metropolitan Opera

Friday, December 27th, 2019

William Kentridge, Mona Hatoum Awarded Praemium Imperiale

Tuesday, September 17th, 2019

New York – William Kentridge: “Let Us Try for Once” at Marian Goodman Through April 20th, 2019

Thursday, March 21st, 2019

William Kentridge Opening New Exhibition Space in Johannesburg Built on Encouraging Experimentation and Failure

Wednesday, April 19th, 2017

London – William Kentridge: “Thick Time” at Whitechapel Gallery Through January 15th, 2017

Saturday, December 31st, 2016

William Kentridge Launching Kickstarter to Fund Tiber River Installation

Thursday, March 3rd, 2016

New York – William Kentridge: “More Sweetly Play the Dance” at Marian Goodman Through February 20th, 2016

Tuesday, February 2nd, 2016

William Kentridge to Create Massive Frieze on Banks of Tiber River

Thursday, August 27th, 2015

William Kentridge Prepares Massive Installation in Rome

Saturday, July 5th, 2014

New York – “William Kentridge: Second-hand Reading” at Marian Goodman Gallery, through October 26th 2013

Monday, October 21st, 2013

London – “William Kentridge: I Am Not Me, the Horse is Not Mine”, At The Tate Modern, Through January 20th, 2013

Monday, December 31st, 2012

Go See – Milan: William Kentridge at Galleria Lia Rumma through May 14th, 2011

Thursday, April 28th, 2011

Go See – Stockholm: Investigations of a Dog, Works from the FACE Collections featuring Jeff Koons, Paul McCarthy, Urs Fischer, Maurizio Cattelan, Gardar Eide Einarsson, Fischli & Weiss, Thomas Hirschhorn, William Kentridge, Aurel Schmidt, Kara Walker, Bruce Nauman and others at Magasin 3 Konsthall, through May 29, 2011

Monday, March 14th, 2011

Go See-New York: William Kentridge’s Five Themes at the Museum of Modern Art Through May 17th 2010

Friday, April 9th, 2010

AO On Site Performa 09: William Kentridge’s ‘I Am Not Me, The Horse Is Not Mine’

Wednesday, November 18th, 2009

William Kentridge

Tuesday, December 2nd, 2008

AO Preview – New York: Performa 17 Performance Art Biennial, November 1st – 19th, 2017

Tuesday, October 31st, 2017

Performa Announces Artist Commissions, Focus on Dada for This Year’s Edition

Wednesday, March 8th, 2017

SCMP Reflects on Increased Chinese Interest in African Contemporary Market

Thursday, July 7th, 2016

AO On-Site – New York: 1:54 Contemporary African Art Fair, May 5th-8th, 2016

Sunday, May 8th, 2016

AO On-Site – New York: Frieze Art Fair, May 5th – 8th, 2016

Thursday, May 5th, 2016

AO Preview – London: Frieze Art Fair at Regent’s Park, October 14th – 17th, 2015

Monday, October 12th, 2015

AO Preview – Hong Kong: Art Basel Hong Kong, March 15th-17th, 2015

Saturday, March 14th, 2015

AO Preview – Miami: Art Basel and Miami Art Week, December 3rd-7th, 2014

Sunday, November 30th, 2014
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Guggenheim Lays Off Additional 24 Employees

September 17th, 2020

As the museum plans to reopen, the Guggenheim Museum has laid off 24 employees, with an additional 8 taking separation agreements. “The impact of the Covid-19 pandemic on the Guggenheim has been devastating to our finances,” said museum’s director, Richard Armstrong in a letter to employees. “I am deeply saddened to say that the museum will not have the ability to support our previous number of staff members.”
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Brooklyn Museum Deaccession’s 12 Works from Collection

September 17th, 2020

In the midst of COVID-19-related financial pressure, the Brooklyn Museum will sell off 12 works from its collection to fund maintaining the rest of its holdings. “We expect this consignment to generate considerable interest from collectors who will not only respond to the paintings’ great quality, but will also be reassured by their distinguished provenance,” says Joshua Glazer, Specialist of Old Master Paintings at Christie’s New York.
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Banksy Loses Court Case, Placing Copyright at Risk

September 17th, 2020

Banksy has lost a court case against a greeting card company this month, with the court putting the artist’s copyright at risk over his anonymity. “Banksy has chosen to remain anonymous and, for the most part, to paint graffiti on other people’s property without their permission, rather than to paint it on canvases or his own property,” the panel said.
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