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New York – William Kentridge: “Let Us Try for Once” at Marian Goodman Through April 20th, 2019

Thursday, March 21st, 2019

William Kentridge Opening New Exhibition Space in Johannesburg Built on Encouraging Experimentation and Failure

Wednesday, April 19th, 2017

London – William Kentridge: “Thick Time” at Whitechapel Gallery Through January 15th, 2017

Saturday, December 31st, 2016

William Kentridge Launching Kickstarter to Fund Tiber River Installation

Thursday, March 3rd, 2016

New York – William Kentridge: “More Sweetly Play the Dance” at Marian Goodman Through February 20th, 2016

Tuesday, February 2nd, 2016

William Kentridge to Create Massive Frieze on Banks of Tiber River

Thursday, August 27th, 2015

William Kentridge Prepares Massive Installation in Rome

Saturday, July 5th, 2014

New York – “William Kentridge: Second-hand Reading” at Marian Goodman Gallery, through October 26th 2013

Monday, October 21st, 2013

London – “William Kentridge: I Am Not Me, the Horse is Not Mine”, At The Tate Modern, Through January 20th, 2013

Monday, December 31st, 2012

Go See – Milan: William Kentridge at Galleria Lia Rumma through May 14th, 2011

Thursday, April 28th, 2011

Go See – Stockholm: Investigations of a Dog, Works from the FACE Collections featuring Jeff Koons, Paul McCarthy, Urs Fischer, Maurizio Cattelan, Gardar Eide Einarsson, Fischli & Weiss, Thomas Hirschhorn, William Kentridge, Aurel Schmidt, Kara Walker, Bruce Nauman and others at Magasin 3 Konsthall, through May 29, 2011

Monday, March 14th, 2011

Go See-New York: William Kentridge’s Five Themes at the Museum of Modern Art Through May 17th 2010

Friday, April 9th, 2010

AO On Site Performa 09: William Kentridge’s ‘I Am Not Me, The Horse Is Not Mine’

Wednesday, November 18th, 2009

William Kentridge

Tuesday, December 2nd, 2008

AO Preview – New York: Performa 17 Performance Art Biennial, November 1st – 19th, 2017

Tuesday, October 31st, 2017

Performa Announces Artist Commissions, Focus on Dada for This Year’s Edition

Wednesday, March 8th, 2017

SCMP Reflects on Increased Chinese Interest in African Contemporary Market

Thursday, July 7th, 2016

AO On-Site – New York: 1:54 Contemporary African Art Fair, May 5th-8th, 2016

Sunday, May 8th, 2016

AO On-Site – New York: Frieze Art Fair, May 5th – 8th, 2016

Thursday, May 5th, 2016

AO Preview – London: Frieze Art Fair at Regent’s Park, October 14th – 17th, 2015

Monday, October 12th, 2015

AO Preview – Hong Kong: Art Basel Hong Kong, March 15th-17th, 2015

Saturday, March 14th, 2015

AO Preview – Miami: Art Basel and Miami Art Week, December 3rd-7th, 2014

Sunday, November 30th, 2014

Marian Goodman Discusses New London Gallery

Tuesday, August 5th, 2014

AO On-Site: Frieze New York at Randall’s Island – May 9th-11th, 2014

Sunday, May 11th, 2014
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Jeffrey Deitch Featured on “Artbound”

June 17th, 2019

Jeffrey Deitch gets a profile in KCET’s Artbound program, spotlighting his recent work, his focus on Los Angeles’s thriving arts scene, and his early days expanding the scope of the contemporary art market.  “Some people say I created a monster because we basically invented the profession of professional art advisory,” Deitch says of his early work.
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CNN Speculates on Location of “Salvator Mundi” Painting

June 17th, 2019

CNN takes a look at the disappearance of Salvator Mundi after its landmark sale last year, noting that the work hasn’t been seen in public since its landmark sale.  “It’s either on the yacht or in a Geneva lock-up, and I’m slowly coming to the conclusion that the yacht is really quite plausible,” writer Ben Lewis said in a phone interview, alluding to speculation that the work is on a luxury yacht belonging to Saudi Arabia’s Crown Prince Mohammad Bin Salman. “But I would suggest that it may not be the safest environment in which to hang up this picture.”
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Sterling Ruby’s New Fashion Line Profiled in NYT

June 17th, 2019

Sterling Ruby’s new fashion line gets a profile in the NYT this week, as the artist and budding designer traces his experiences with fiber arts and clothing.   “Outside of the logistics of putting together the collection and the garments — in the kind of production of it — I don’t see it as any different to making a sculpture or a painting,” he says.
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