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William Kentridge, Mona Hatoum Awarded Praemium Imperiale

Tuesday, September 17th, 2019

New York – William Kentridge: “Let Us Try for Once” at Marian Goodman Through April 20th, 2019

Thursday, March 21st, 2019

William Kentridge Opening New Exhibition Space in Johannesburg Built on Encouraging Experimentation and Failure

Wednesday, April 19th, 2017

London – William Kentridge: “Thick Time” at Whitechapel Gallery Through January 15th, 2017

Saturday, December 31st, 2016

William Kentridge Launching Kickstarter to Fund Tiber River Installation

Thursday, March 3rd, 2016

New York – William Kentridge: “More Sweetly Play the Dance” at Marian Goodman Through February 20th, 2016

Tuesday, February 2nd, 2016

William Kentridge to Create Massive Frieze on Banks of Tiber River

Thursday, August 27th, 2015

William Kentridge Prepares Massive Installation in Rome

Saturday, July 5th, 2014

New York – “William Kentridge: Second-hand Reading” at Marian Goodman Gallery, through October 26th 2013

Monday, October 21st, 2013

London – “William Kentridge: I Am Not Me, the Horse is Not Mine”, At The Tate Modern, Through January 20th, 2013

Monday, December 31st, 2012

Go See – Milan: William Kentridge at Galleria Lia Rumma through May 14th, 2011

Thursday, April 28th, 2011

Go See – Stockholm: Investigations of a Dog, Works from the FACE Collections featuring Jeff Koons, Paul McCarthy, Urs Fischer, Maurizio Cattelan, Gardar Eide Einarsson, Fischli & Weiss, Thomas Hirschhorn, William Kentridge, Aurel Schmidt, Kara Walker, Bruce Nauman and others at Magasin 3 Konsthall, through May 29, 2011

Monday, March 14th, 2011

Go See-New York: William Kentridge’s Five Themes at the Museum of Modern Art Through May 17th 2010

Friday, April 9th, 2010

AO On Site Performa 09: William Kentridge’s ‘I Am Not Me, The Horse Is Not Mine’

Wednesday, November 18th, 2009

William Kentridge

Tuesday, December 2nd, 2008

AO Preview – New York: Performa 17 Performance Art Biennial, November 1st – 19th, 2017

Tuesday, October 31st, 2017

Performa Announces Artist Commissions, Focus on Dada for This Year’s Edition

Wednesday, March 8th, 2017

SCMP Reflects on Increased Chinese Interest in African Contemporary Market

Thursday, July 7th, 2016

AO On-Site – New York: 1:54 Contemporary African Art Fair, May 5th-8th, 2016

Sunday, May 8th, 2016

AO On-Site – New York: Frieze Art Fair, May 5th – 8th, 2016

Thursday, May 5th, 2016

AO Preview – London: Frieze Art Fair at Regent’s Park, October 14th – 17th, 2015

Monday, October 12th, 2015

AO Preview – Hong Kong: Art Basel Hong Kong, March 15th-17th, 2015

Saturday, March 14th, 2015

AO Preview – Miami: Art Basel and Miami Art Week, December 3rd-7th, 2014

Sunday, November 30th, 2014

Marian Goodman Discusses New London Gallery

Tuesday, August 5th, 2014
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

New York Times Looks Into Maurizio Cattelan’s Still-Missing Gold Toilet

November 21st, 2019

The New York Times has a piece on the theft of Maurizio Cattelan’s gold toilet, noting that the work is still missing, and spotlighting a number of locals’ thoughts on just where the work might be.  “It’s on a building site,” says taxi driver Susan Hughes, “that’s my theory.” 
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Oscar Tuazon Profiled in LA Times

November 21st, 2019

Oscar Tuazon’s “hippie outlaw architecture” gets a profile in the LA Times this week, and how he has applied his work towards conversations and critiques of current policy around water and other environmental issues.  “Ideas and conversations around water rights and indigenous histories is also this really powerful part of the story,” he says. “And it shapes the way the design is evolving now — to take this structure and break it into its constituent parts and think about how it could work in different landscapes. It’s trying to kind of absorb and learn from those places.”
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LA Times Charts Challenges to MOCA’s New Free Admission Policy

November 21st, 2019

A piece in the LA Times showcases the challenges MOCA in Los Angeles is facing over offering free admission. “It’s as much about philanthropy as it is about a financial transaction for member benefits,” says Asa Hursh, MOCA’s membership and annual fund manager.
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