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William Wegman

Monday, December 1st, 2008

New York – “Goulding the Lolly” at Gavin Brown Through July 30th, 2016

Thursday, July 28th, 2016

AO On Site – New York: Aperture Foundation’s Sixtieth Anniversary Gala Dinner & Photography Auction, October 23rd, 2012

Friday, October 26th, 2012

Don’t Miss – New York: Heads with Tails at Harris Lieberman through September 9th, 2011

Sunday, September 4th, 2011

Living Artists

Thursday, July 7th, 2011

Go See – Los Angeles: “Collecting History: Highlighting Recent Acquisitions” at The Museum of Contemporary Art, through October 19, 2009

Sunday, August 30th, 2009

Sperone Westwater

Wednesday, December 10th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Jeff Koons Gift to Paris Rebuffed by Citizens

January 21st, 2018

Jeff Koons, via Art NewspaperThe Art Newspaper reports on Parisians’ response to Jeff Koons massive tulips installation offered to the city of Paris. “Placing this artwork in front of the Palais de Tokyo would taint the museum and take up too much of its landscape. Jeff Koons had enough attention with his installations at the Château de Versailles [in 2008-09] without resorting to benefit from the memory of the Paris attacks,” one citizen says.
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Kurt Schwitters’s Merz Barn May Go Up for Sale

January 21st, 2018

Kurt Schwitters' Merz Barn, via BBCKurt Schwitters’s Merz Barn in Elterwater is up for sale.  “Our fear is that we’ll be forced into selling it to a property developer,” owner Ian Hunter says. “We feel that we’ve been pushed into this situation by the Arts Council.”
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Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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