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New York – Wim Delvoye at Perrotin Gallery Through October 29th, 2017

Saturday, October 28th, 2017

Wim Delvoye Buys a Series of Desert Mansions in Iran

Saturday, April 30th, 2016

Tehran Museum to Host Historic Show of Work by Wim Delvoye

Friday, November 27th, 2015

Paris – Wim Delvoye at Galerie Perrotin Through October 31st, 2014

Wednesday, October 29th, 2014

New York – Wim Delvoye at Sperone Westwater Through June 28th, 2013

Wednesday, June 26th, 2013

Geneva – Wim Delvoye: “Oeuvres choisies (1988 – 2011)” at Galerie Guy Bärtschi Through March 15th 2013

Thursday, March 14th, 2013

Paris: Wim Delvoye at Perrotin Gallery, show ended June 16, 2012

Monday, June 18th, 2012

AO On Site – Paris: Galleries Night Out, featuring events at Thaddaeus Ropac (Alex Katz, Banks Violette), Emmanuel Perrotin (Takashi Murakami, Xavier Veilhan, Wim Delvoye), and Chantal Crousel (Thomas Hirschhorn, Wolfgang Tillmans), October 20, 2011

Saturday, October 22nd, 2011

AO on site Photoset – Paris: FIAC Press Preview, October 23rd, 2013

Thursday, October 24th, 2013

Art Dubai Brings $45 Million in Art to Middle East

Thursday, March 21st, 2013

AO On-site: The ADAA Art Show at The Park Avenue Armory: March 6th-10th, 2013

Sunday, March 10th, 2013

AO On-Site: The 2013 Armory Show in New York City – March 6th-10th, 2013

Friday, March 8th, 2013

AO Newslink

Thursday, September 20th, 2012

AO On Site Photoset – Art 43 Basel Vernissage and VIP Preview

Wednesday, June 13th, 2012

AO Summary and Links – Hong Kong: Hong Kong International Art Fair, May 17–20, 2012

Monday, May 21st, 2012

Friday, November 4th, 2011

AO On Site – Paris: FIAC Final Summary (with Photoset) October 19–23, 2011

Monday, October 24th, 2011

AO On Site (with Photoset) – Paris: FIAC 2011 Opening Day Review, October 21, 2011

Saturday, October 22nd, 2011

AO On Site (with Photoset) – London: Frieze Art Fair 2011 Day 2 Review

Thursday, October 13th, 2011

AO on site Photoset (2 of 3) – Art Basel 42: Art Basel 2011, The Main Fair

Thursday, June 16th, 2011

Go See – Berlin: Temporary Tattoo Parlor at Arratia, Beer until May 31st, 2011

Thursday, May 19th, 2011

AO on site with Photoset – Paris: Art Paris, Just Art at the Grand Palais through April 3rd, 2011

Friday, April 1st, 2011

AO on Site – Art Basel Miami Beach 2010 – Main Fair Conclusion and Summary

Monday, December 6th, 2010

Go See – New York: Sculpture Show at Sperone Westwater, through September 4, 2009

Sunday, August 30th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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Andreas Gursky Speaks on His Early Work for The Guardian

January 19th, 2018

Andreas Gursky, via GuardianThe Guardian has an interview with Andreas Gursky this week, detailing the artist’s early experimentations in a photo of Salermo harbor that brought him to realize his most iconic works. “My teachers, the conceptual artists Bernd and Hilla Becher, had told me to avoid photographing with sunlight, blue sky or strong shadows, he says. “But I thought the warm sunlight here made for something quite kitsch. Also, up until this point, human beings had been the focus of my work – but here there were none in sight. Yet I was overwhelmed by what I saw: the complexity of the image, the accumulation of goods, the cars, the containers. I hadn’t been sure the photograph would work. I just felt compelled. It was pure intuition.”
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Tate Britain Director Alex Farquharson Interviewed in Art Newspaper

January 19th, 2018

Tate Britain, via ArtforumTate Britain director Alex Farquharson is interviewed in the Art Newspaper this week, detailing his vision for a major rehang at the museum. “Tate Britain has an exciting role in presenting art in a societal context, both past and present, so it is a question of the stories that we tell,” he says. “I have set out three pillars that inform our curatorial choices and how we communicate them. These are a trio of relationships: art and society, history and the present, and Britain and the world.”
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