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Guggenheim to Acquire Controversial Xu Bing Work Pulled from Past Show

Sunday, March 11th, 2018

New York – Leo Xu Projects and Metro Pictures Host “A New Ballardian Vision” for Condo: New York, Through August 4th, 2017

Friday, August 4th, 2017

AO On-Site – Venice: “All the World’s Futures” – The 56th Venice Biennale at The Arsenale Through November 22nd, 2015

Wednesday, May 6th, 2015

AO On Site – NY: 'Ai Weiwei: New York Photographs 1983-1993,' at Asia Society through August 14th, 2011

Friday, July 29th, 2011

Auction news: Chinese contemporary sells well at Sotheby’s Hong Kong

Monday, April 14th, 2008

New York – Henning Strassburger: “Fünf Bilder” at Robert Blumenthal Through May 10th, 2018

Wednesday, May 9th, 2018

New York – Jamian Juliano-Villani: “Ten Pound Hand” at JTT Gallery Through February 24th, 2018

Tuesday, January 30th, 2018

New York – Jim Shaw at Metro Pictures Through December 22nd, 2017

Wednesday, December 13th, 2017

Venice – Anne Imhof: ‘Faust’ at the German Pavilion, Winner of the Golden Lion for Best Pavilion at the Venice Biennale Through November 26th, 2017

Monday, June 26th, 2017

London – The Turner Prize Exhibition at Tate Britain Through January 2nd, 2017

Sunday, October 30th, 2016

New York – Patrick Meagher: “Suggested for You” at Equity Gallery Through April 30th, 2016

Saturday, April 30th, 2016

New York — Lizzie Fitch/Ryan Trecartin at Andrea Rosen Gallery Through April 20th, 2016

Tuesday, April 12th, 2016

New York – Camille Henrot at Metro Pictures Through December 12th, 2015

Monday, November 16th, 2015

Venice – The National Pavilions at the Venice Biennale Through November 22nd, 2015

Wednesday, May 13th, 2015

New York – “Call and Response” at Gavin Brown’s Enterprise Through February 28th, 2015

Monday, February 23rd, 2015

New York – Independent Projects at Center 548, November 6th-8th, 10th-15th, 2014

Saturday, November 8th, 2014

New York – Summer Exhibition at Skarstedt Gallery Through August 31st, 2014

Sunday, August 31st, 2014

Paris – Hiroshi Sugimoto: “Aujourd’hui, le monde est mort [Lost Human Genetic Archive]” at Palais de Tokyo Through September 7th, 2014

Monday, August 11th, 2014

Do Ho Suh Named WSJ Art Innovator for 2013

Saturday, November 9th, 2013

New York – Mike Kelley at MoMA PS1 Through February 2nd, 2014

Wednesday, November 6th, 2013

New York – Balthus: “Cats and Girls – Paintings and Provocations” At the Metropolitan Musuem of Art Through January 12th, 2013

Thursday, October 31st, 2013

New York: Robert Indiana: “Beyond Love” at the Whitney Museum Through January 5th, 2013

Monday, October 28th, 2013

New York – Bjarne Melgaard: “Ignorant Transparencies” at Gavin Brown’s Enterprise Through October 26th, 2013

Friday, October 25th, 2013

New York – Paul and Damon McCarthy: “Rebel Dabble Babble” at Hauser and Wirth Through July 26th, 2013

Wednesday, July 24th, 2013
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Simone Leigh Wins 2018 Hugo Boss Prize

October 20th, 2018

Simone Leigh, via Art NewsSimone Leigh was has won the 2018 Hugo Boss Prize, given every two years to a contemporary artist. The prize includes a $100,000 check and an exhibition next April at the museum. 
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FBI Investigating Alleged Art Fraud

October 19th, 2018

Antonio Marco, via Associated PressA fine art consultant in New York and an interior designer in Florida are facing charges of fraud after allegedly using an elderly woman’s identity to buy a Mark Rothko for $6.4 million and an Ad Reinhardt work for $1.16 million at Sotheby’s, AP reports. “Our discussions with the purchasers raised significant suspicion and concern for the elderly client they purported to represent and we felt it was necessary to contact the FBI,” Sotheby’s said in a emailed statement. “We are pleased that the appropriate action has been taken and the victim has been protected.”
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Jenny Holzer Profiled in New York Magazine

October 19th, 2018

Jenny Holzer, via New York MagazineJenny Holzer gets a profile in New York Magazine this week, reviewing her recent work and her approach towards creating her bracing, direct brand of text art. “I have made much of my work sex-blind and anonymous so that it wouldn’t be dismissed as the work of a woman,” she says. “I don’t want to be looked at or dismissed, or even attract anybody, as a female.”
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