Search Results

Broad Museum Purchases Its Second Yayoi Kusama Infinity Room

Tuesday, March 20th, 2018

David Zwirner to Open New Yayoi Kusama Show in New York

Tuesday, October 24th, 2017

Yayoi Kusama’s Tokyo Museum Opens to Public

Wednesday, September 27th, 2017

Yayoi Kusama Opening Her Own Museum in Tokyo

Wednesday, August 16th, 2017

Yayoi Kusama “Infinity Rooms” Show Smashes Records at Hirshhorn Museum

Wednesday, May 17th, 2017

Yayoi Kusama Interviewed in Washington Post

Thursday, February 16th, 2017

Yayoi Kusama Profiled in WSJ

Wednesday, February 8th, 2017

Yayoi Kusama to Get Wax Statue at Madame Tussauds Hong Kong

Wednesday, October 19th, 2016

Yayoi Kusama Illustrates Hans Christian Andersen’s “The Little Mermaid”

Monday, July 18th, 2016

London – Yayoi Kusama at Victoria Miro through July 30, 2016

Monday, June 27th, 2016

Hirshhorn Planning Massive Yayoi Kusama Exhibition

Friday, May 6th, 2016

Yayoi Kusama Installs “Narcissus Garden” at Glass House

Tuesday, May 3rd, 2016

Yayoi Kusama in 2016 Edition of TIME 100

Thursday, April 21st, 2016

Yayoi Kusama Creating New Sculptural Work for Honolulu Biennial

Wednesday, March 9th, 2016

Yayoi Kusama’s Infinity Rooms Seeing Major Popularity Among Collectors

Tuesday, June 16th, 2015

New York – Yayoi Kusama: “Give Me Love” at David Zwirner Through June 13th, 2015

Friday, June 12th, 2015

Yayoi Kusama Named World’s “Most Popular Artist”

Saturday, April 4th, 2015

Yayoi Kusama Interviewed in The Telegraph

Monday, September 1st, 2014

Yayoi Kusama Profiled in NOWNESS Video

Sunday, April 27th, 2014

Yayoi Kusama Art Directs George Clooney Cover Shoot for W Magazine

Thursday, December 5th, 2013

New York – Yayoi Kusama: “I Who Have Arrived in Heaven” at David Zwirner Through December 21st, 2013

Sunday, November 10th, 2013

London – Yayoi Kusama: “White Infinity Nets” at Victoria Miro, through November 16th 2013

Sunday, November 10th, 2013

Yayoi Kusama Leaves Gagosian Gallery, Signs with David Zwirner

Sunday, February 10th, 2013

Yayoi Kusama, Damien Hirst to Leave Gagosian Gallery. Koons showing at Zwirner.

Friday, December 14th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Peter Paul Rubens Work to Return to Antwerp for Research and Exhibition

August 15th, 2018

Peter Paul Rubens, The Massacre of the Innocents, via Art NewspaperPeter Paul Rubens’s The Massacre of the Innocents will travel to the Rubenshuis museum in Antwerp this fall from the Art Gallery of Ontario, Art Newspaper reports.  The painting, last sold in 2002 for £49.5 million, will be a part of research projects during its loan. “We can imagine with disbelief that he painted as much as he did within that relatively small space over a relatively short period of time… He establishes what is arguably the most productive artistic studio of all time to date in that space,” says Sasha Suda, the AGO’s curator of European art.
Read More »

Münster Draws Closer to Purchasing Nicole Eisenman Sculpture

August 15th, 2018

Nicole Eisenman, Sketch for a Fountain (2017). Photo: Henning RoggeNicole Eisenman and Anton Kern, have agreed to significantly reduce the price for the fountain sculpture requested by the City of Münster, putting the city’s fundraising efforts much closer to completion. “We wanted the bulk of the funding to come from Münster citizens,” says dealer Maria Galen, who has led the push for the sculpture. “But we have also applied to some foundations, and we don’t yet know what we will get. We are very confident.”
Read More »

Artist Withdraws Work from Anton Kern Show Following Criticism

August 15th, 2018

Ajay Kurian, via Art NewspaperArtist Jamie Isenstein has withdrawn her work from a summer group exhibition at Anton Kern Gallery following criticism of what some deem inadequate critique of racist subject matter.  The show, which aimed to address Peter Sellers’s film The Party (in which the lead actor wears brown face), drew criticism from artists Ajay Kurian and Vijay Masharani for failing to fully address the racist framework of the film.  “I realized that if I expect the show to address racism, I also have to address it. I should have thought longer about my assumption that other artists would do it for me,” Isenstein said.
Read More »

REFERENCE LIBRARY