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NY Botanical Garden’s Yayoi Kusama Show Rescheduled to 2021

Monday, April 6th, 2020

Yayoi Kusama to Show Infinity Rooms in London

Friday, February 14th, 2020

Florida Court Blocks Yayoi Kusama ‘Infinity Room’ from Leaving Miami-Dade County

Friday, January 24th, 2020

NYT Profiles Yayoi Kusama’s Growing Visibility

Wednesday, November 6th, 2019

Yayoi Kusama to Open Show at New York Botanical Garden Next Year

Friday, October 25th, 2019

Yayoi Kusama Balloon to Fly in Macy’s Day Parade

Wednesday, October 23rd, 2019

David Zwirner Anticipates Over 100,000 Visitors for New Yayoi Kusama Show

Friday, October 11th, 2019

Crystal Bridges Museum to Put Yayoi Kusama Work on Permanent View

Wednesday, August 28th, 2019

Hirshhorn Acquires Yayoi Kusama Infinity Room

Thursday, March 28th, 2019

ICA Boston Acquires Yayoi Kusama Infinity Room

Tuesday, January 15th, 2019

Yayoi Kusama Goes on Offensive Over Counterfeit Works in Chinese Exhibitions

Monday, October 29th, 2018

Broad Museum Purchases Its Second Yayoi Kusama Infinity Room

Tuesday, March 20th, 2018

David Zwirner to Open New Yayoi Kusama Show in New York

Tuesday, October 24th, 2017

Yayoi Kusama’s Tokyo Museum Opens to Public

Wednesday, September 27th, 2017

Yayoi Kusama Opening Her Own Museum in Tokyo

Wednesday, August 16th, 2017

Yayoi Kusama “Infinity Rooms” Show Smashes Records at Hirshhorn Museum

Wednesday, May 17th, 2017

Yayoi Kusama Interviewed in Washington Post

Thursday, February 16th, 2017

Yayoi Kusama Profiled in WSJ

Wednesday, February 8th, 2017

Yayoi Kusama to Get Wax Statue at Madame Tussauds Hong Kong

Wednesday, October 19th, 2016

Yayoi Kusama Illustrates Hans Christian Andersen’s “The Little Mermaid”

Monday, July 18th, 2016

London – Yayoi Kusama at Victoria Miro through July 30, 2016

Monday, June 27th, 2016

Hirshhorn Planning Massive Yayoi Kusama Exhibition

Friday, May 6th, 2016

Yayoi Kusama Installs “Narcissus Garden” at Glass House

Tuesday, May 3rd, 2016

Yayoi Kusama in 2016 Edition of TIME 100

Thursday, April 21st, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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NYT Notes Generation Gap in Online Art Sales

June 9th, 2020

As art sales go online, the NYT notes an increasing generation gap, with older buyers tapering off their purchases and younger buyers continuing to collect. “The resistance from older collectors is still there,” says Anders Petterson, founder of analytics firm ArtTactic.  “When there is no physical art world, how do you substitute that experience?” he added. “Younger people are a lot quicker to adapt.”
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Unrest Over Killing of George Floyd Forces Museums to Address Institutionalized Racism

June 9th, 2020

A piece in the New York Times charts pressure on institutions to address problems of systemic racism and injustice in their organizations, collections and programs, following the social unrest caused by the killing of George Floyd at the hands of the police.  “I do not think art museums have done enough,” says Chris Anagnos, executive director of the Association of Art Museum Directors. “We have dabbled around the edges of the work, but in our place of privilege we will never live up to the statement that ‘museums are for everyone’ unless we begin to confront, examine and dismantle the various structures that brought us to this point.”
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Art Basel Cancelled

June 9th, 2020

Art Basel has completely cancelled the 2020 edition of its fair in the Swiss town, after an attempt to move the fair’s dates to September.  “While there are signs of hope as individual countries are coming out of lockdown, the global situation remains precarious, and, unfortunately, too many uncertainties remain to go ahead with the fair,” the organization said in a statement. “These include the health risks posed by large gatherings, the limitations on intercontinental travel, and the unclear Swiss regulatory environment for shows of Art Basel’s size. Given these uncertainties, we believe that the best option concerning the Basel show is to focus on next year’s edition and delivering a fair of the exceptional international quality that the artworld expects.”
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