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Yayoi Kusama Interviewed in Washington Post

Thursday, February 16th, 2017

Yayoi Kusama Profiled in WSJ

Wednesday, February 8th, 2017

Yayoi Kusama to Get Wax Statue at Madame Tussauds Hong Kong

Wednesday, October 19th, 2016

Yayoi Kusama Illustrates Hans Christian Andersen’s “The Little Mermaid”

Monday, July 18th, 2016

London – Yayoi Kusama at Victoria Miro through July 30, 2016

Monday, June 27th, 2016

Hirshhorn Planning Massive Yayoi Kusama Exhibition

Friday, May 6th, 2016

Yayoi Kusama Installs “Narcissus Garden” at Glass House

Tuesday, May 3rd, 2016

Yayoi Kusama in 2016 Edition of TIME 100

Thursday, April 21st, 2016

Yayoi Kusama Creating New Sculptural Work for Honolulu Biennial

Wednesday, March 9th, 2016

Yayoi Kusama’s Infinity Rooms Seeing Major Popularity Among Collectors

Tuesday, June 16th, 2015

New York – Yayoi Kusama: “Give Me Love” at David Zwirner Through June 13th, 2015

Friday, June 12th, 2015

Yayoi Kusama Named World’s “Most Popular Artist”

Saturday, April 4th, 2015

Yayoi Kusama Interviewed in The Telegraph

Monday, September 1st, 2014

Yayoi Kusama Profiled in NOWNESS Video

Sunday, April 27th, 2014

Yayoi Kusama Art Directs George Clooney Cover Shoot for W Magazine

Thursday, December 5th, 2013

New York – Yayoi Kusama: “I Who Have Arrived in Heaven” at David Zwirner Through December 21st, 2013

Sunday, November 10th, 2013

London – Yayoi Kusama: “White Infinity Nets” at Victoria Miro, through November 16th 2013

Sunday, November 10th, 2013

Yayoi Kusama Leaves Gagosian Gallery, Signs with David Zwirner

Sunday, February 10th, 2013

Yayoi Kusama, Damien Hirst to Leave Gagosian Gallery. Koons showing at Zwirner.

Friday, December 14th, 2012

AO On Site – New York: Yayoi Kusama at Hudson River Park through the end of the summer

Thursday, July 19th, 2012

New York: Yayoi Kusama at The Whitney, July 12 through September 30, 2012

Thursday, July 19th, 2012

London: Yayoi Kusama Retrospective at Tate Modern through June 5, 2012

Monday, March 19th, 2012

Go See – Madrid: Yayoi Kusama at Museo Reina Sofia through September 12th, 2011

Wednesday, August 24th, 2011

Go See – Rome: Recent Works by Yayoi Kusama At Gagosian Gallery Rome Through May 7th, 2011

Wednesday, April 20th, 2011
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Paul Schimmel Leaves Hauser & Wirth in Los Angeles

February 25th, 2017

Paul Schimmel, via LA TimesCurator Paul Schimmel has parted ways with Hauser & Wirth’s Los Angeles location after a sudden announcement late this week, the LA Times reports.  Schimmel, former chief curator at MoCA was a founding partner in the gallery’s Los Angeles location, which opened last year.  “Going forward, Hauser & Wirth will continue building upon its longstanding, passionate commitment to Los Angeles with expanded programs, including an increasingly robust campaign of public events and community outreach activities, and an ever more dynamic schedule of exhibitions that celebrate our artists, and connections between California and the international scene,” Iwan Wirth said in a statement.
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Boyle Heights Art Space Closes After Repeated Protests from Anti-Gentrification Activists

February 24th, 2017

The view from Mariachi PlazaThe LA Times reports on the closure of PSSST, a non-profit arts space in Boyle Heights that shuttered after repeated protests from local anti-gentrification activists.  While our closure might be applauded by some, it is not a victory for civil discourse and coalition building,” the gallery said in a statement.
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Francis Bacon’s George Dyer Triptych Goes to Christie’s New York for its Auction Debut

February 24th, 2017

Francis Bacon triptych of George Dyer, via GuardianFrancis Bacon’s triptych portrait of his lover George Dyer is set to go to auction for the first time at Christie’s in New York this May, carrying an estimate of $50m.  “George Dyer is to Bacon what Dora Maar was to Picasso,” Loic Gouzer says of the artist’s longtime muse.  “He is arguably the most important model of the second half of the 20th century, because Dyer’s persona as well and physical traits acted as a catalyst for Bacon’s pictorial breakthroughs.”

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