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Zaha Hadid Condo Complex in Chelsea to Feature Space for Galleries

Wednesday, March 15th, 2017

Last Zaha Hadid Design Goes on View in Zürich for Kurt Schwitters Exhibition

Wednesday, June 15th, 2016

RIP: Dame Zaha Hadid, Visionary Architect, Aged 65

Thursday, March 31st, 2016

The Serpentine Sackler Gallery, Designed by Zaha Hadid, Prepares to Open

Thursday, September 26th, 2013

Zaha Hadid Buys The Design Museum in London

Wednesday, July 10th, 2013

Zaha Hadid’s Chanel Mobile Art Space coming to Central Park October 20th to November 9th

Monday, July 28th, 2008

Lithuania Approves New Zaha Hadid Designed Guggenheim Museum

Friday, June 20th, 2008

Go See: Zaha Hadid’s Chanel Mobile Art Project through July 4th, Tokyo, Japan

Wednesday, June 11th, 2008

Zaha Hadid Chosen to Design Michigan State's Art Museum

Thursday, January 24th, 2008

New York – Monika Sosnowska: “Tower” at Hauser and Wirth Through October 25th, 2014

Tuesday, September 23rd, 2014

Rome: Francesco Vezzoli: “Galleria Vezzoli” at MAXXI, through November 24th 2013

Monday, November 25th, 2013

New York – “Ken Price Sculpture: A Retrospective” at The Metropolitan Museum of Art Through September 22nd, 2013

Sunday, August 4th, 2013

Sou Fujimoto-designed Serpentine Pavilion Opens in London

Tuesday, June 11th, 2013

AO Newslink

Tuesday, October 23rd, 2012

AO On Site – Art 43 Basel Final Photoset and AO News Wrapup

Monday, June 18th, 2012

AO On Site – Basel – Artist talk with Jeff Koons at Fondation Beyeler, Thursday, June 14, 2012

Thursday, June 14th, 2012

AO Onsite – Basel: Art 43 Basel 2012 Set to Begin

Tuesday, June 12th, 2012

London: Ai Weiwei and Herzog & de Meuron debut their collaborative 2012 Serpentine Pavilion

Friday, June 1st, 2012

London: Serpentine Gallery commissions Ai Weiwei and Herzog & de Meuron collaboration for 2012 Pavilion Series

Tuesday, February 7th, 2012

AO on site photoset – London, Frieze Week: Opening night of the The Return of the House of the Nobleman, private viewing

Sunday, October 16th, 2011

AO On Site at the 54th Venice Biennale 2011: Preview (with photoset) of Glasstress 2011 and Mike and Doug Starn’s Big Bambú, through June 15, 2011

Sunday, June 5th, 2011

AO News Summary: Serpentine Gallery Reportedly Wins Hyde Park Space Over Damien Hirst

Thursday, September 30th, 2010

AO On Site Report #2 – Art Basel, Switzerland, Focus on Quality Drives Buyers

Friday, June 18th, 2010

Jean Nouvel to design the 10th Serpentine Gallery Pavilion, London

Friday, March 26th, 2010
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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Andreas Gursky Speaks on His Early Work for The Guardian

January 19th, 2018

Andreas Gursky, via GuardianThe Guardian has an interview with Andreas Gursky this week, detailing the artist’s early experimentations in a photo of Salermo harbor that brought him to realize his most iconic works. “My teachers, the conceptual artists Bernd and Hilla Becher, had told me to avoid photographing with sunlight, blue sky or strong shadows, he says. “But I thought the warm sunlight here made for something quite kitsch. Also, up until this point, human beings had been the focus of my work – but here there were none in sight. Yet I was overwhelmed by what I saw: the complexity of the image, the accumulation of goods, the cars, the containers. I hadn’t been sure the photograph would work. I just felt compelled. It was pure intuition.”
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Tate Britain Director Alex Farquharson Interviewed in Art Newspaper

January 19th, 2018

Tate Britain, via ArtforumTate Britain director Alex Farquharson is interviewed in the Art Newspaper this week, detailing his vision for a major rehang at the museum. “Tate Britain has an exciting role in presenting art in a societal context, both past and present, so it is a question of the stories that we tell,” he says. “I have set out three pillars that inform our curatorial choices and how we communicate them. These are a trio of relationships: art and society, history and the present, and Britain and the world.”
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