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Zaha Hadid Condo Complex in Chelsea to Feature Space for Galleries

Wednesday, March 15th, 2017

Last Zaha Hadid Design Goes on View in Zürich for Kurt Schwitters Exhibition

Wednesday, June 15th, 2016

RIP: Dame Zaha Hadid, Visionary Architect, Aged 65

Thursday, March 31st, 2016

The Serpentine Sackler Gallery, Designed by Zaha Hadid, Prepares to Open

Thursday, September 26th, 2013

Zaha Hadid Buys The Design Museum in London

Wednesday, July 10th, 2013

Zaha Hadid’s Chanel Mobile Art Space coming to Central Park October 20th to November 9th

Monday, July 28th, 2008

Lithuania Approves New Zaha Hadid Designed Guggenheim Museum

Friday, June 20th, 2008

Go See: Zaha Hadid’s Chanel Mobile Art Project through July 4th, Tokyo, Japan

Wednesday, June 11th, 2008

Zaha Hadid Chosen to Design Michigan State's Art Museum

Thursday, January 24th, 2008

New York – Monika Sosnowska: “Tower” at Hauser and Wirth Through October 25th, 2014

Tuesday, September 23rd, 2014

Rome: Francesco Vezzoli: “Galleria Vezzoli” at MAXXI, through November 24th 2013

Monday, November 25th, 2013

New York – “Ken Price Sculpture: A Retrospective” at The Metropolitan Museum of Art Through September 22nd, 2013

Sunday, August 4th, 2013

Sou Fujimoto-designed Serpentine Pavilion Opens in London

Tuesday, June 11th, 2013

AO Newslink

Tuesday, October 23rd, 2012

AO On Site – Art 43 Basel Final Photoset and AO News Wrapup

Monday, June 18th, 2012

AO On Site – Basel – Artist talk with Jeff Koons at Fondation Beyeler, Thursday, June 14, 2012

Thursday, June 14th, 2012

AO Onsite – Basel: Art 43 Basel 2012 Set to Begin

Tuesday, June 12th, 2012

London: Ai Weiwei and Herzog & de Meuron debut their collaborative 2012 Serpentine Pavilion

Friday, June 1st, 2012

London: Serpentine Gallery commissions Ai Weiwei and Herzog & de Meuron collaboration for 2012 Pavilion Series

Tuesday, February 7th, 2012

AO on site photoset – London, Frieze Week: Opening night of the The Return of the House of the Nobleman, private viewing

Sunday, October 16th, 2011

AO On Site at the 54th Venice Biennale 2011: Preview (with photoset) of Glasstress 2011 and Mike and Doug Starn’s Big Bambú, through June 15, 2011

Sunday, June 5th, 2011

AO News Summary: Serpentine Gallery Reportedly Wins Hyde Park Space Over Damien Hirst

Thursday, September 30th, 2010

AO On Site Report #2 – Art Basel, Switzerland, Focus on Quality Drives Buyers

Friday, June 18th, 2010

Jean Nouvel to design the 10th Serpentine Gallery Pavilion, London

Friday, March 26th, 2010
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Felix LA to Return with Expanded Gallery List

September 11th, 2019

Felix LA will return in 2020 with an expanded exhibitor list of 60 gallerists.  “We are thrilled to expand Felix’s community and welcome an incredible slate of new and returning exhibitors for the second edition,” founders Dean Valentine, Al Morán, and Mills Morán said in a statement. “The growth and diversification of our roster attests to the burgeoning Los Angeles art scene and the desperate need for the new type of art fair experience that Felix offered collectors and exhibitors alike.”
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Tate Modern Brings on International Curators

September 11th, 2019

Four departments at the Tate Modern have brought on new talent under the title Curator, International Art, signaling an expanded focus for the institution’s programming.  “Their significant experience and expertise will play an important part in expanding our knowledge of modern and contemporary art from Africa, South Asia, and the Middle East, furthering our ambition to present a truly international story of art through our program and collection,” says Frances Morris, Tate Modern’s director.
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Artist Nicholas Galanin on Pulling Work from Whitney Biennial

September 11th, 2019

Artist Nicholas Galanin has a piece in Art News this week as he discusses his decisions to pull work from this year’s Whitney Biennial.  “My decision to remove my work from the Whitney came when my hope for meaningful conversation was met with inaction—on the part of many but, most fatefully, by the museum, which for weeks and then months failed to issue any meaningful response to protests mounting within its walls,” he says. “For me, that inaction translated to complicity with militarized denial of the right of Indigenous people to freely move through land that we belong to.”
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