Search Results

Go See – Antwerp: “The Twenty Seventh of January Two Thousand and Eleven” by Luc Tuymans at Zeno X Gallery Through March 12th, 2011

Friday, February 11th, 2011

AO On-Site – Paris: FIAC at the Grand Palais Éphémère, October 21-24th, 2021

Friday, October 22nd, 2021

AO On-Site – New York: The Armory Show at Piers 90, 92 and 94 Through March 10th, 2019

Wednesday, March 6th, 2019

AO Preview – New York: Armory Week in New York City, March 4th – 10th, 2019

Sunday, March 3rd, 2019

AO On Site – New York: Frieze New York Art Fair on Randall’s Island May 14th-17th, 2015

Saturday, May 16th, 2015

AO On Site Report #2 – Art Basel, Switzerland, Focus on Quality Drives Buyers

Friday, June 18th, 2010

Don't Miss – Brussels: Luc Tuymans 'Against the Day' at Wiels Contemporary Art Center through August 2, 2008

Friday, July 24th, 2009

Sculpture Smashed at Tracey Emin curated Royal Academy Summer Exhibition 2008

Wednesday, August 6th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Jail for Spanish Forger Who Attempted Sale of 15 Fake Works

February 21st, 2023

A Spanish court has sentenced an art collector to prison for selling a set of fake works, including a series of forged works attributed to Edvard Munch and Roy Lichtenstein.
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The Guardian Interviews Former Subjects of Painter Alice Neel

February 21st, 2023

The Guardian has a piece this week on what it was like to be painted by Alice Neel. “One day Alice said she wanted to paint me and to bring some things I could wear, so I packed a little suitcase and had various costumes,” says artist and sex activist Annie Sprinkle. “I’d just had my labia pierced and I was showing it off, and she really wanted to see that. She picked a leather outfit and I put a feather in my hair.”
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Alice Walton’s Art Bridges Foundation Behind $4.5 Million Robert Colescott Buy

February 21st, 2023

Alice Walton’s Art Bridges Foundation is apparently behind the $4.5 million purchase of a Robert Colescott at Bonhams this month. “This work in particular presents a hopeful and powerful message, and we are pleased that it resonated so strongly with individuals and institutions alike,” says Ralph Taylor, Bonhams’s global head for postwar and contemporary art.
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