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Go See – New York: Kai Althoff “Punkt, Absatz, Blümli (period, paragraph, Blümli)” at Barbara Gladstone through March 5th, 2011

Wednesday, February 16th, 2011

Don’t Miss – New York: Huang Yong Ping at Barbara Gladstone Gallery through July 31, 2009

Wednesday, July 22nd, 2009

Go See: Thomas Hirschorn’s ‘Universal Gym’ at Barbara Gladstone, New York, through April 11th 2009

Friday, March 27th, 2009

Ian Cheng Now Represented by Gladstone Gallery

Saturday, September 9th, 2017

Matthew Barney to Reprise 1991 Works from “Blind Perineum” at Gladstone

Sunday, July 24th, 2016

AO On Site – New York: Anish Kapoor at Gladstone Gallery through June 9, 2012

Tuesday, June 5th, 2012

AO On Site with photoset – New York: Opening of Matthew Barney ‘DJED’ at Gladstone Gallery through October 22, 2011

Thursday, October 6th, 2011

New York – Walter Dahn: “4th Time Around (My Back Pages)” at Venus Over Manhattan Through October 26th 2013

Friday, October 18th, 2013

New York – AO On Site: Dia Art Foundation’s Fall Night, Monday, November 12th, 2012

Wednesday, November 14th, 2012

AO Onsite Photoset – Art 43 Basel, Art Unlimited and Art Statements section previews

Wednesday, June 13th, 2012

Friday, December 2nd, 2011

AO On Site Photoset, with link summary – Art Basel Miami Beach 2011: Main Fair Preview and News Summary, Wednesday, November 30, 2011

Thursday, December 1st, 2011

AO On Site – Paris: FIAC Preview (with photoset) and News Summary, October 20–23, 2011

Thursday, October 20th, 2011

AO On Site at the 54th Venice Biennale 2011: Dasha Zukhova and The Garage Center for Contemporary Culture presents “Commercial Break” curated by Neville Wakefield

Monday, June 6th, 2011

AO On Site Preview and Summary: 54th Venice Biennale 2011 Begins This Week

Monday, May 30th, 2011

AO On Site – Paris: FIAC 2010 begins at the Grand Palais and the Cour Carrée du Louvre through Sunday October 24th

Tuesday, October 19th, 2010

AO Guest Editorial (With Video): Collective Show at Participant Inc., September 15 through September 26, 2010

Friday, October 1st, 2010

AO on site – Final installment and news summary – Art Basel, Switzerland, sets attendance records, sets very positive tone, concludes

Monday, June 21st, 2010

AO On Site Report #2 – Art Basel, Switzerland, Focus on Quality Drives Buyers

Friday, June 18th, 2010

AO On Site – Art Basel, Switzerland: Art 41 Basel 2010 opens today

Monday, June 14th, 2010

Art Observed Newslinks for Sunday, December 20th, 2009

Sunday, December 20th, 2009

AO On Site: Banks Violette’s “Not Yet Titled” at Team Gallery New York, through June 20th, 2009

Friday, May 8th, 2009

Newslinks for Thursday, March 12, 2009

Thursday, March 12th, 2009

Anish Kapoor

Thursday, January 3rd, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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